Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of brush and black ink and pen and black ink with graphite pencil, watercolor, colored plastic films, and cut and pasted, printed text on white wove paper.

Page 2, C.O.P. Clones Our Product, March 1988

Mort Drucker

A work made of chromogenic prints (3).

Green Drapes, 2000

James Welling

A work made of chromogenic print.

Green Drape 3, 2000

James Welling

A work made of chromogenic print.

Green Drape 2, 2000

James Welling

A work made of chromogenic print.

Green Drape 1, 2000

James Welling

A vertically oriented, dark abstract painting featuring a tall striding figure in white and black lines with nonuniform areas of blue, red, brown, green, gray, and yellow color.

Ajax, 1949/54

Georges Braque

A work made of colored pencil and graphite on cream wove paper.

Weeping Woman 2, 1969

Barbara Rossi

A work made of colored pencil and graphite on ivory wove paper.

Blind Celia #1, 1969

Barbara Rossi

A work made of colored pencil and graphite on ivory wove paper.

Arthur Dartmouth, 1969

Barbara Rossi

A work made of colored pencil and graphite on ivory wove paper.

Character Formed by the Heavenly Hot Dog, 1969

Barbara Rossi

A work made of colored pencil and graphite on ivory wove paper.

Male of Sorrows #4, 1969

Barbara Rossi

A work made of graphite on cream wove paper.

Untitled, 1968

Barbara Rossi

A work made of graphite on ivory wove paper.

Untitled, 1967

Barbara Rossi

A work made of graphite on ivory wove paper.

Untitled, 1967

Barbara Rossi

A work made of graphite on cream wove paper.

Untitled, 1967

Barbara Rossi

A work made of oil on canvas.

The Plate of Apples, c. 1877

Paul Cezanne

A work made of graphite on ivory wove paper.

Untitled, 1967

Barbara Rossi

A work made of opaque watercolor on paper board, with a collage of cut and pasted text, printed red mylar, watercolor on white wove paper, and plastic film.

MAD Fold-In: “What is the Most Explicitly Taught Subject in the Whole World?”, June 1974

Al Jaffee

A work made of opaque watercolor on paper board, with a collage of cut and pasted text, red and white wove paper, and plastic film.

MAD Fold-In: “Which of Nature's Ravages Continues to Defy Modern Technology”, July 1973

Al Jaffee

A work made of watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame.

Ragged Island, Maine, 1914

John Marin

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