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A work made of stainless steel mesh.

Log 100, 2008

Arik Levy

A work made of hand-fused plastic action figures.

War Bowl (Battle of Waterloo), 2002

Dominic Wilcox

A work made of porcelain painted with underglaze blue.

Moon Flask, Ming dynasty (1368-1644), Yongle Period (1403-1424)

A work made of feathers, fiber, and cotton.

Feather Headdress, 20th century

Bamileke

A work made of fiber and copper alloy.

Hat (Botolo), 20th century

Ekonda

A work made of single-channel video installation, sound, color, 35 min..

We Were Lost in Our Country, 2019

Tuan Andrew Nguyen

A work made of fired clay.

Untitled, 1971

Joel Shapiro

A work made of graphite with erasing on ivory wove paper.

Ada I, 1971

Alex Katz

Dark portrait of an older light-skinned women with dark hair in a black dress and white collar, her hair pinned up. Her face is in partial shadow.

Portrait of Mary Adeline Williams, 1899

Thomas Eakins

A work made of oil on panel.

Still Life: Melon, Fish Jar, c. 1888

Imitator of Vincent van Gogh

A work made of etching and drypoint with foul biting in black ink on ivory laid paper.

Bead Stringers, 1880

James McNeill Whistler

A work made of handspun cotton, indigo dye; polychrome silk and cotton; strip weave, hand embroidery.

Robe (Boubou Lomasa), Late 19th century

Soninke

A work made of cotton and wool (camelid), stripes of warp-faced plain weave, and plain weave with paired warps and supplementary patterning warps; applied tubular crossed-warp edging in complex bird's eye; attached cotton and wool (camelid), crossed-warp strap.

Coca Bag (Chuspa), Probably late 19th/early 20th century

Quechua

A work made of cotton and wool (camelid), bands of plain weave, slit tapestry weave with wrapping outlining wefts, and three-color complementary weft weave; edged with plain weave extended weft loop fringe.

Border Fragment, 1000-1476

Chancay

A work made of cotton and wool (camelid), bands of weft faced plain weave, and slit tapestry weave with wrapping outlining wefts.

Fragment, 1000-1476

Chancay

A work made of cotton and wool (camelid), stripes of plain weave and plain weave derivatives with complementary patterning warp; central stripe with extended warp creating a woven looped flap; applied tubular crossed-warp weave edging; wool-wrapped overcast stitch bottom edging and pom-pom tassles; attached strap of cotton and wool (camelid) plain weave with complementary patterning warp.

Coca Bag (Chuspa), 1950/1980

Quechua

A white book with a textured square on the cover, the title "Sheila Hicks" beneath it and on the spine in large black font.

Sheila Hicks: Weaving as Metaphor, 2006

Irma Boom

A work made of book.

Sheila Hicks: Weaving as Metaphor, 2006

Irma Boom

A work made of woodcut in brown and black ink, with brown watercolor, on ivory japanese paper (recto), and brown watercolor (verso), tipped onto cream wove paper, tipped at top two corners onto cream card.

Ilustrations from Chips an' Shavings: Men Listening, c.1923

Gustave Baumann

A work made of ceramic and pigment.

Jar with Two Plumed or Horned Serpents with Birds and P-shaped Motifs, 1280–1450

Casas Grandes

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