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A work made of slides (2218) in wooden tray with lid.

History of Darkness, 2010

Katie Paterson

A work made of gelatin silver prints (4).

Business Week Cover, December 24, 1984, 1985

Alfredo Jaar

A work made of spiral bound magnetic album, 114 gelatin silver prints and 29 chromogenic prints.

Untitled (Family Album)

Unknown Maker

A work made of salted paper print.

Articles of China, 1843-44

William Henry Fox Talbot

A work made of silver dye-bleach print.

Walking Hourglass (Color), from the series "Walking and Lying Objects" (1987–91), 1989

Laurie Simmons

A work made of chromogenic print.

The Restorers at San Lorenzo Maggiore, Naples, 1988

Thomas Struth

Pale silhouettes of two flowering branches.

Two Plant Specimens, 1839

William Henry Fox Talbot

A work made of gelatin silver print.

A14, from the series "Diary of Elizabeth and James Dixon (1840-41)/ Connecticut Landscapes, 1977–86", 1977/86, printed later

James Welling

A work made of gelatin silver print.

Untitled, from the "Auto Series", 1970-71

Robert Watts

A work made of chromogenic print.

The Northwest Corner of Florence and Normandie Avenues, Los Angeles, California, from the series "On This Site: Landscape in Memoriam", October 1993

Joel Sternfeld

A work made of salted paper print.

Grand Temple de Dendérah (Teutyres), Haute-Egypte, plate 17 from the album "Egypte, Nubie, Palestine et Syrie" (1852), 1849-51, printed 1852

Maxime Du Camp

A work made of albumen print.

A Burial Party, Cold Harbor, Virginia, pl. 94 from the album "Gardner's Photographic Sketch Book of the War, Volume II" (1866), April 1865

John Reekie

A work made of albumen prints in two bound albums.

Geographical & Geological Explorations & Surveys West of the 100th Meridian, 1871/73

Timothy O'Sullivan

A work made of albumen print, pl. 1 from the album "egypt and palestine, volume i" (1858).

Portrait, Turkish Summer Costume, 1857

Francis Frith

Sculpture of a jaguar, somewhat bear-like and grinning widely, seated on its haunches. It is covered in an intricate, maze-like pattern in brown, cream and red.

Otorongo, 2020

Celia Vasquez Yui

A work made of cotton and wool, slit and single dovetail tapestry weave.

Sarape, 1750/1800

A work made of cotton and wool, tapestry weave; joined with cotton, needle-made knotted insert; plied and knotted warp fringe; two loom widths joined; all selvages present.

Sarape, before 1800

A work made of cotton and wool, slit and single dovetail tapestry weave; edged with cotton, knotted fringe.

Man's Sarape (Wearing Blanket), 1800–50

A work made of cotton and wool, tapestry weave, slit; single dovetail; attached knotted fringe.

Sarape, 1750/1800

A work made of cotton and wool, single dovetail tapestry weave; neck edge tapes of cotton, plain weave.

Sarape, 1750/1800

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