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A work made of carbon pigment print, from the portfolio "harlem, u.s.a." (2005).

Deas McNeil, the Barber, 1976, printed 2005

Dawoud Bey

A work made of carbon pigment print, from the portfolio "harlem, u.s.a." (2005).

A Woman and Child in a Doorway, 1975, printed 2005

Dawoud Bey

Two older black women rest on either side of a police barricade. The woman on the left looks at the camera, one hand on her cane. The other holds her bag. She wears a fur coat and striped dress. The woman on the right behind the barricade wears a hat with a flower and a collared dress and looks to her right.

Two Women at a Parade, 1978, printed 2005

Dawoud Bey

A work made of carbon pigment print, from the portfolio "harlem, u.s.a." (2005).

Mr. Moore's Bar-B-Que, 125th Street, 1976, printed 2005

Dawoud Bey

A work made of carbon pigment print, from the portfolio "harlem, u.s.a." (2005).

A Woman with Hanging Overalls, 1978, printed 2005

Dawoud Bey

A work made of carbon pigment print, from the portfolio "harlem, u.s.a." (2005).

A Woman and Two Boys Passing, 1978, printed 2005

Dawoud Bey

Black-and-white photograph of a dark-skinned woman standing in a doorway, leaning on a wall. He hair is pulled back; she wears a formal skirt and vest over a white shirt with a large bow.

A Woman Waiting in the Doorway, 1976, printed 2005

Dawoud Bey

A work made of carbon pigment print, from the portfolio "harlem, u.s.a." (2005).

A Man in a Bowler Hat, 1976, printed 2005

Dawoud Bey

A work made of gelatin silver print.

Untitled (New York, Harlem), from the series "A Man Becomes Invisible" (1952), 1952

Gordon Parks

A work made of gelatin silver print.

Mrs. Mullens, Fort Scott, 1949

Gordon Parks

A work made of gelatin silver print.

Untitled, c. 1948

Gordon Parks

Black-and-white photograph of a seated black man who is receiving medical care from two other individuals. The man has an anguished expression, with his mouth open in pain, and he wears a button-up shirt that is spattered with blood. The brown-skinned person on the man's right, whose back is to the camera, tends to the man's right eye. On the left a white-skinned person reaches into the frame, and holds the man's head steady.

Battered Man, 1948

Gordon Parks

A work made of gelatin silver print.

Duke Ellington, 1960

Gordon Parks

A work made of gelatin silver print.

Duke Ellington, 1950

Gordon Parks

Japanese Books

Collection of prints from the series 36 Views of Fuji/ 53 Stations of Tokaido, 19th century

Utagawa Hiroshige

A work made of woodblock- printed book; 2 vols..

Tōkaidō fūkei zue, 1851 Kaei 4

Utagawa Hiroshige

A work made of woodblock- printed book; 2 vols..

Tōkaidō fūkei zue, 1851 Kaei 4

Utagawa Hiroshige

A work made of woodblock- printed book; 1 vol..

Hiroshige Fuji sanjūrokkei, 18th/19th century

Utagawa Hiroshige

A work made of woodblock- printed book; 4 vols..

Sōhitsu gafu, 1848–1861 (dates on prefaces for various vol.)

Utagawa Hiroshige

A work made of woodblock- printed book.

Ryūsai hyakuzu, 1851

Utagawa Hiroshige

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