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A work made of wool and cotton, warp-float faced 3:1 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; main warp knotted cut fringe; woven on loom with jacquard attachment.

Square Shawl, 1840/55

A work made of silk, warp-float faced 7:1 satin weave self-patterned by areas of 1:7 'z' twill weave.

Panel, 1775/1800

A work made of silk and gilt strip wound around a silk fiber core, warp-float faced satin weave with supplementary brocading wefts.

Panel, 16th/17th century

A work made of silk and gilt-strip-wrapped around a silk fiber core, warp-float faced satin weave with supplementary brocading wefts and self-patterned by main warps in floats.

Panel, 17th century

A work made of pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper.

Design for a Tomb, 1677/1747

School of Francesco Solimena

A work made of pen and black ink, with brush and black wash, over traces of black chalk, on ivory laid paper.

Prison Scene, n.d.

Vincenzo dal Re

A work made of inkjet print.

From Some Thames, 2000

Roni Horn

A work made of etching on cream wove paper.

Virgin (Dreaming), 1903

Paul Klee

A work made of pen and brown ink, with brush and brown and gray wash, over traces of graphite, on ivory laid paper, laid down on ivory laid paper.

Caricatures of Two Men and a Woman, n.d.

Marco Ricci

A work made of pen and black ink with brush and gray wash, over traces of black chalk, on ivory laid paper.

Death of Saint Joseph, n.d.

Gaspare Diziani

A work made of pen and brown ink, with brush and brown wash, over black chalk on ivory laid paper, laid down on ivory laid paper.

Allegorical Figures, n.d.

Paolo Pagani

A work made of pen and brown ink, with brush and brown wash, over black chalk, with touches of brush and red gouache, on ivory laid paper, laid down on ivory laid paper.

Sculpture of a Saint (St Peter's Vision of the Cross?), c. 1650-1750

Unknown Venetian

A work made of pen and brown ink, with brush and brown wash, over red chalk, on ivory laid paper, laid down on cream laid card.

Holy Family, n.d.

Gaspare Diziani

A work made of lithograph on white laid paper.

Walter Hasenclever (head to the right), 1917

Oskar Kokoschka

A work made of pen and black ink and brush and brown and gray wash, with touches of pale blue and pink wash, on cream wove paper, laid down on cream laid card.

Piazza Signoria, n.d.

Giuseppe Gherardi

A work made of pen and brown ink, with traces of brush and brown ink, over black chalk on ivory laid paper.

Allegory in Honor of Grand Duke Gian-Gastone de' Medici, c. 1700-1740

Pietro Antonio Novelli

A work made of pen and brown ink with brush and brown wash, over graphite, on ivory laid paper.

Triumphal Arch, 1600/99

Agostino Mitelli

A work made of charcoal, heightened with white chalk (recto and verso), on blue laid paper.

Crossed Hands (recto); Right Foot, Partially Covered by Drapery (verso), 1625/29 (recto); c. 1620 (verso)

Giacomo Cavedone

A work made of color woodblock print; right and center sheets of oban triptych.

Courtesans and Their Child Attendants under Blossoming Cherry Trees, 1785

Torii Kiyonaga

A work made of brush and brown wash, over black chalk, heightened with white gouache, on ivory laid paper, laid down on ivory laid paper.

Mars, Venus and Cupid, 17th century

Gennaro Landi

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