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A work made of etching on ivory laid paper.

Transcription of various ancient Latin inscriptions, from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Dedication to Giovanni Bottari, from Some Views of Triumphal Arches and other monuments, 1748

Giovanni Battista Piranesi

A work made of pen and black ink, and charcoal, with traces of black chalk, on ivory laid paper.

Sheet of Sketches: Standing Man with Raised Arm, Cherubim, 1768/78

Giovanni Battista Piranesi

A work made of pen and black and gray ink on ivory laid paper.

Sheet of Sketches: Six Figures, 1768/78

Giovanni Battista Piranesi

A work made of etching and engraving on heavy ivory laid paper.

Title Page from Imaginary Prisons, 1761

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Frontispiece, from Roman Antiquities, Part I, 1748

Giovanni Battista Piranesi

A work made of etching and engraving on heavy ivory laid paper.

The Grand Piazza, plate 4 from Imaginary Prisons, 1761

Giovanni Battista Piranesi

A work made of etching and engraving on heavy ivory laid paper.

The Round Tower, plate 3 from Imaginary Prisons, 1761

Giovanni Battista Piranesi

A work made of etching and engraving on heavy ivory laid paper.

The Man on the Rack, plate 2 from Imaginary Prisons, 1761

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Octagonal Temple of Minerva Medica, from Views of Rome, 1764, published 1800–07

Giovanni Battista Piranesi

A work made of glass-paned, painted wood box with black sand, metal ring, and ball bearings.

Untitled (Sand Box), c. 1944

Joseph Cornell

A work made of etching and engraving on heavy ivory laid paper.

The Well, plate 13 from Imaginary Prisons, 1761

Giovanni Battista Piranesi

A work made of etching, engraving, sulphur tint, and burnishing in black on ivory laid paper.

The Round Tower, plate 3 from the second edition of Carceri d'invenzione (Imaginary Prisons), 1750, reworked 1761

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of the Camenae, from Views of Rome, 1773

Giovanni Battista Piranesi

A work made of etching in black on ivory laid paper.

View of the Arch of Titus, from Vedute di Roma (Views of Rome), 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy laid paper.

Another view of the Temple of the Sibyl in Tivoli, from Views of Rome, 1761, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Another view of the Temple of the Sibyl at Tivoli, from Views of Rome, 1761, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Campo Vaccino, from Views of Rome, 1772

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Port of Ripa Grande, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Remains of the Villa of Maecenas at Tivoli, from Views of Rome, 1763, published 1800–07

Giovanni Battista Piranesi

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