Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
The top half of a light-skinned man in overalls is attached laterally to a tree trunk, his legs and partial torso attached in the same way father up on the trunk. He holds one of his large ears and closes one eye.

Woodman (Waldarbeiter), 1969

Georg Baselitz

A work made of oil on canvas.

Untitled (7.12.83), 1983

Oliver Lee Jackson

N.Y. Trac III

N.Y. Trac III, 1975

Ed Moses

A work made of oil on canvas.

Belated Revolutions, 2022

Mounira Al Solh

A work made of graphite on two sheets of white and cream wove papers laid down on mat board.

Broken Nose Cups, 1969

Kenneth Price

A work made of watercolor on ivory.

Portrait of William Hall Gage, 2nd Viscount Gage of Castle Island, 1770

Samuel Cotes

A work made of colored pencil with adhesive tape on cream wove paper.

Acrobatic Frog Cup, 1968

Kenneth Price

A work made of graphite and colored pencil with adhesive tape on cream wove paper tipped to two-ply mat board.

Specimen, 1964

Kenneth Price

Portrait of David Garrick (1716-1779)

Portrait of David Garrick (1716-1779), c. 1780 (?)

Ozias Humphry

A work made of collage composed of cut-and-pasted papers, fabric and photograph on board.

The Neatest Trick of the Month, 1942/45

Kurt Schwitters

A work made of pastel over monotype on buff wove paper, laid down on tan card.

Café-Concert (The Spectators), 1876/77

Hilaire Germain Edgar Degas

A work made of gouache on ivory.

Portrait of Sarah Sophia Banks, 1768

Nathaniel Hone

A work made of oil on masonite.

Market Place No. 2, Barcelona, 1954/55

Suzanne Martyl Langsdorf

A work made of watercolor on ivory.

Portrait of an Officer in the Royal Artillery, 1808

Sampson Towgood Roch

A work made of black and red conté crayon, with graphite, heightened with white chalk on tan laid paper, laid down.

Guess My Name, 1821

David Wilkie

Cricche, crocche e manico d'uncino

Cricche, crocche e manico d'uncino, 1986

Frank Stella

A work made of lascaux acrylic on epoxy-edged fiberglass with aluminum with four unpainted round steel bolts.

The Elliott Room: Charter II, 1987 [series 1985–87]

Robert Ryman

A work made of watercolor on ivory.

Portrait of Miss Braddon, 1775/1830

George Engleheart

A work made of lascaux acrylic on fiberglass with epoxy edges with aluminum, four unpainted round steel bolts.

The Elliott Room: Charter V, 1987 [series 1985/87]

Robert Ryman

A work made of lascaux acrylic on epoxy-edged fiberglass panels with aluminum, four round painted bolts.

The Elliott Room: Charter IV, 1987 [series 1985/87]

Robert Ryman

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