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A work made of etching with burnishing, scraping and drypoint in warm black ink on ivory laid paper.

New Caledonia: Large Native Hut on the Road from Balade to Puépo, 1845, 1863

Charles Meryon

A work made of etching with plate tone on blue-green laid paper with violet and red fibres.

The Sickly Cryptogam, 1860

Charles Meryon

A work made of etching, from two plates, one in black and one in red (brownish), on ivory laid paper.

The Pilot of Tonga, 1856

Charles Meryon

A work made of etching with scraping and burnishing in warm black ink with monogram printed à la poupée in reddish-brown ink on ivory laid paper.

Swift-Sailing Proa, Mulgrave Archipelago, Oceania, 1866

Charles Meryon

A work made of etching and drypoint in warm black on grayish ivory chine.

San Francisco, 1855–56

Charles Meryon

A work made of etching on ivory laid paper.

The Little French Colony at Akaroa, 1845, 1865

Charles Meryon

A work made of etching with drypoint on ivory laid paper.

Native Barns and Huts at Akaroa, Banks' Peninsula, 1845, 1865

Charles Meryon

A work made of etching with drypoint on ivory laid paper.

Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group, 1845, 1863

Charles Meryon

A work made of etching on ivory wove vellum paper.

Portrait of Casimir le Conte, 1856

Charles Meryon

A work made of etching on ivory laid paper.

Seine Fishing off Collier's Point, Akaroa, Banks' Peninsula, 1845, 1863

Charles Meryon

A work made of etching on brown wove paper.

Cover for a Voyage to New Zealand (1842-46), 1866

Charles Meryon

A work made of etching, from a tin plate, on ivory laid china paper.

Benjamin Fillon, homme de lettres, 1862

Charles Meryon

A work made of etching with engraving on ivory chine, laid down on ivory laid paper.

Portrait of Louis Jacques Marie Bizeul, the Breton Archaeologist, 1861

Charles Meryon

A work made of etching on ivory laid paper.

Portrait of the Poet Evariste Boulay-Paty, 1861

Charles Meryon

A work made of etching on ivory laid paper.

Portrait of Casimir le Conte, 1856

Charles Meryon

A work made of etching on ivory laid paper.

Rebus: Béranger was not Really Strong, for he Never had the Key of the Fields, 1863

Charles Meryon

A work made of etching and drypoint on grayish ivory laid paper.

The Printer Valère Maxime being Presented to King Louis XI, 1860

Charles Meryon

A work made of etching, from two plates, one printed in black and the other in red, on ivory laid paper.

Address-Card of the Printseller, Rochoux, c. 1855

Charles Meryon

A work made of etching, from a tin plate, on grayish ivory laid chine, laid down on ivory card.

Portrait of Armand Guéraud of Nantes, Printer and Man of Letters, 1861–62

Charles Meryon

A work made of watercolor with touches of gouache, over graphite, on ivory watercolor paper.

Winter Day at Key West, 1942

Adolf Arthur Dehn

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