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A work made of etching with foul biting in dark brown ink on ivory japanese paper.

Little Drawbridge, Amsterdam, 1889

James McNeill Whistler

A work made of collage of oil and graphite, and stencil print on tracing paper, with photocopy on white wove paper, and torn-and-taped tracing paper elements.

The Prophet (Part 1/6), 1999–2001

Francis Alÿs

A work made of woodcut printed with oil-based inks.

Midday (Zhengwu), 1998

Qijia Dawa

A work made of gelatin silver print.

Untitled, 1933/97

Nathan Lerner

A work made of wood engraving on paper.

Danger Ahead, published April 30, 1870

Winslow Homer

A work made of graphite, with brush and graphite wash and colored pencils on cream wove paper, discolored to buff.

Female Head Study, n.d.

Marie Laurencin

A work made of pastel on cream laid paper.

Landscape in Crozant, c. 1898

Jean Baptiste Armand Guillaumin

A work made of drypoint in brown on cream wove paper.

Theodor Linde, 1902

Edvard Munch

A work made of charcoal, with stumping, and brush and black wash, colored crayons, and graphite on cream wove paper, discolored to tan.

Woman with Blue Kerchief, n.d.

Marie Laurencin

A work made of graphite and colored crayons on cream wove paper.

Shell Fragment and Matchboxes, c. 1930

Le Corbusier (Charles-Édouard Jeanneret)

A work made of photo-offset postcard on white wove paper.

100 Boots on the Way Down, October 12, 1971, 3:00 p.m.; mailed May 30, 1972

Eleanor Antin

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Two from "The Incredible Bulk", January 1979

Angelo Torres

A work made of lithograph on beige japanese paper.

Figure Study, 1894

James McNeill Whistler

A work made of soot and saliva, applied with sharpened stick, on found card prepared with colored paper pulp (pulp painting).

Untitled, n.d.

James Castle

A work made of collage of oil and graphite on tracing paper, with torn-and-taped tracing paper elements.

The Prophet (Part 4/6), 1999–2001

Francis Alÿs

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

The Garden, 1879/80

James McNeill Whistler

A work made of pen and brown ink, with traces of black chalk, on cream laid paper, edge mounted to ivory laid paper.

Ceiling Decoration with Grotesques, 1530/39

A work made of cotton, plain weave; copperplate printed.

Panel (Furnishing Fabric), c. 1785

Daniel Mytens, the elder

A work made of etching and foul biting in black ink on ivory laid paper.

Fleur-de-lys Passage, 1887

James McNeill Whistler

A work made of graphite and colored crayons on cream wove paper.

Figures and Matchboxes, c. 1930

Le Corbusier (Charles-Édouard Jeanneret)

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