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Untitled

Untitled, c. 1972

Sarah Anne Canright

A work made of silk, warp-float faced 4:1 satin weave; embroidered with silk and silk chenille in split, surface satin, and stem stitches; couching.

Mourning Sampler, about 1810

Mary Balch's School

An abstract painting in greens and blues shows many small, card- or brick-like squares and rectangles merging at bottom and encroaching upon the center from the sides, like a wall trying to close itself, or a wall opening. Beyond these shapes is the suggestion of a hazy green sky with clouds and perhaps more shapes.

Towards the Unknown, 1950

Gunther Gerzso

A work made of oil on canvas.

Caliente, 1985

Ed Paschke

A work made of oil on hardboard.

La Ciudad Perdida (The Lost City), 1948

Gunther Gerzso

A work made of oil on canvas.

Amorosa Tropicalia, 1983

Richard Maris Loving

A work made of oil on canvas.

Sir John Shaw and his Family in the Park at Eltham Lodge, Kent, 1761

Arthur Devis

A work made of oil on canvas.

Hanging Out, 1985

Joan Semmel

A work made of wood and pigment.

Stool with Cocoa-Pod Harvester, 20th century

Asante

A work made of woodcut in black on ivory japanese paper.

Coast Line (Woodcut), plate 1 from 101 Prints, 1967

Norman Roland Eppink

A work made of woodcut in green and black on ivory wove paper.

Two-color Woodcut (Branches), plate 4 from 101 Prints, 1967

Norman Roland Eppink

A work made of chiaroscuro woodcut in red and black on ivory wove paper.

Chiaroscuro Cut (Seated Figure), plate 3 from 101 Prints, 1967

Norman Roland Eppink

A work made of hand-colored woodcut on ivory wove paper.

Hand Colored Woodcut (Lost City), plate 2 from 101 Prints, 1967

Norman Roland Eppink

A work made of color woodcut on ivory japanese paper.

Japanese Color Technique (Fisherman 1), plate 7 from 101 Prints, 1967

Norman Roland Eppink

A work made of color woodcut on ivory wove paper.

Color Woodcut (Textures), plate 6 from 101 Prints, 1967

Norman Roland Eppink

A work made of color woodcut on ivory wove paper.

Four-Color Woodcut (Pool and Rocks), plate 5 from 101 Prints, 1967

Norman Roland Eppink

A work made of wood engraving in black on ivory wove paper.

Wood Engraving (Ruins), plate 8 from 101 Prints, 1967

Norman Roland Eppink

A work made of color woodcut on ivory japanese paper.

Japanese Color Technique, color variant (Fisherman 2), plate 7a from 101 Prints, 1967

Norman Roland Eppink

A work made of wood engraving in black and green on ivory wove paper.

Two-color Wood Engraving (Pickle Pickers), plate 10 from 101 Prints, 1967

Norman Roland Eppink

A work made of collagraph in black on ivory japanese paper.

Casein Cut (Fragment), plate 9 from 101 Prints, 1967

Norman Roland Eppink

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