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  • Art Institute Chicago
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Rectangular painting of white, framed by a thin, yellow outline and a thicker, black outline.

Brilliant Yellow #9, 1964/65

Jo Baer

A work made of oil on panel.

The Fairies, 1870–80

Adolphe Joseph Thomas Monticelli

A work made of various.

Women's Temple Building, Chicago, Illinois, Working Drawings, 1890–1891

Burnham and Root

Miniature dining room with mint-green walls and two large windows on the back wall, between which hangs a portrait of a Revolutionary-era man flanked by two vases. A formal wooden table with two chairs sits in the room's center, a fireplace with a mirror on the mantle and two tall stools at left.

A10: Massachusetts Dining Room, 1795, c. 1940

Narcissa Niblack Thorne

A work made of glazed earthenware.

Mam'uNoPhumzile, 2023

Zizipho Poswa

A work made of color woodblock print; oban.

A Wife of the Lower Rank (Gebon no nyobo), from the series "A Guide to Women's Contemporary Styles (Tosei onna fuzoku tsu)", c. 1801/02

Kitagawa Utamaro

A work made of paper.

Pig 05049, 2007

Christien Meindertsma

Pink and red wax sculpture of a naked person lying on their side in a fetal position.

Blood Pool, 1992

Kiki Smith

A grouping of 18 photographic reproductions of self-portraits by artist Egon Schiele, some in color, some using only black ink.

After Egon Schiele, 1982

Sherrie Levine

A work made of ceramic and pigment.

Shabti of the Singer of Amun Inhai, New Kingdom, Dynasty 20 (about 1186–1069 BCE)

Ancient Egyptian

An abstracted work made of irregular pieces of stretched canvas bonded together, creating a funnel shape that protrudes out to form a dark hole.

Untitled, 1960

Lee Bontecou

A work made of oil on panel.

The Princesses, c. 1870

Adolphe Joseph Thomas Monticelli

A work made of gelatin silver print.

Photograph Taken During the Filming of Arthur Miller's - "A View From the Bridge", 1961

Inge Morath

A work made of color woodblock print; oban.

No. 4 (shi), from the series "Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa)", c. 1798/1800

Kitagawa Utamaro

A work made of color woodblock print; oban.

No. 5 (go), from the series "Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa)", c. 1798/1800

Kitagawa Utamaro

A work made of color woodblock print; oban.

Kneeling actor and standing beauty holding a tray of clothes, from the series "Fuji in Summer Matched with Beautiful Women (Natsu no Fuji bijin awase)", 1801

Utagawa Toyokuni I

To-scale great room with a double-height ceiling. The bottom half of each wall is clad in elaborately carved wooden panels. The right wall features a tall bay window, the left a fireplace flanked by suits of armor. A long, rustic table with bench is centered in the room.

E-1: English Great Room of the Late Tudor Period, 1550-1603, c. 1937

Narcissa Niblack Thorne

A work made of gelatin silver print.

A Woman who is Crossing her Fingers, from the series "Women who saved Okinawa", 1970

Kenshichi Heshiki

Chest decorated with scenes from the Old Testament and vegetal and floral designs. The scenes and designs are made up of colored fabric, detailed embroidery, beading, and gilded metal.

Cabinet or Box Depicting Scenes from the Old Testament, 1668

Rebecca Stonier Plaisted

A work made of color woodblock print; oban.

Painful (Itaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)", 1888

Tsukioka Yoshitoshi

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