Curator

  • Art Institute Chicago
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A work made of oil on canvas.

In the Woods, c. 1860

Imitator of Narcisse Virgile Diaz de la Peña

A work made of oil on canvas.

Venus and Mars with Cupid and the Three Graces in a Landscape, 1590/95

Domenico Tintoretto

A work made of color offset lithograph on cream wove paper, pieced and laid down on white wove paper.

Worker Men and Women: Everyone Vote in the Soviet Elections (Raboche i rabotnitsy: vse na perevybory sovetov), 1930

Gustav G. Klutsis

A work made of ceramic and pigment.

Vessel with Women's Faces and Masked Beings, 350–550 CE

Nasca

A work made of tempera on panel.

The Adoration of the Magi, c. 1495

Raffaello Botticini

A work made of ceramic.

Oil Lamp in the Form of a Woman's Body, 19th/20th century

Yoruba

A work made of gelatin silver print.

Invisible Woman I, from the series "Invisible Women", 2006

Sabelo Mlangeni

A work made of oil on panel.

The Wedding of Peleus and Thetis, 1636

Peter Paul Rubens

A work made of color woodblock print; oban triptych.

Women watching fireworks at Sumida River, c. 1795/96

Kitagawa Utamaro

A work made of gelatin silver print.

Iran: Shiraz - Three Women With Caged Birds, 1943/64

Inge Morath

A work made of color woodblock print; oban, surimono.

Women weaving on a loom, late 1810s and/or early 1820s

Katsushika Hokusai

A work made of oil on panel.

Hesitation (Madame Monteaux?), c. 1867

Alfred Stevens

A work made of fan (shovel-shaped); ink and colors on silk; wood handle, ivory tip.

Women at Leisure, Qing dynasty (1644–1911), 19th century

A work made of wood engraving in black on buff japanese paper.

Women Bathing, 1930s

Cecil Buller

Painting of the Annunciation, dove flying above Mary with angel.

The Annunciation, 1490–95

Jean Hey, (the Master of Moulins)

A work made of blue carbon transfer and watercolor (recto and verso) on cream wove paper.

Sheet of Sketches: Men and Women (recto and verso), n.d.

Jules Pascin

A work made of watercolor and gouache, heightened with gum varnish, on tan wove paper.

Ceremony in a Cathedral, n.d.

Louis Haghe

A work made of cotton and silk, plain weave with patterning and brocading wefts; joined with cotton in cretan and cross stitches; appliquéd with cellulose acetate, plain weave; embroidered with silk in chain stitches; metal buttons.

Married Woman's Pot or Huipil (Blouse), Early to mid-20th century

Maya

A work made of color woodblock print; two sheets of oban triptych.

Women Imitating an Imperial Procession, 1805

Kitagawa Utamaro

A work made of aquatint in color on ivory wove paper.

The Women of Ouessant, 1904

Jacques Villon

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