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  • Art Institute Chicago
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A work made of tempera on panel.

The Crucifixion, c. 1370

Francescuccio Ghissi

A work made of oil on cradled panel.

Persons in Louis XV Costumes, c. 1880

Adolphe Joseph Thomas Monticelli

A work made of cotton, plain weave; copperplate printed.

Furnishing Fabric, 1827-40

Philippe Wyngaert

A work made of oil on canvas.

Venus and Mars with Cupid and the Three Graces in a Landscape, 1590/95

Domenico Tintoretto

A work made of gelatin silver print, no. 5 from the portfolio "photographs by manuel alvarez-bravo" (1977).

Two Women, a Large Blind, and Shadows (Dos Mujeres y la Gran Cortina con Sombras), 1977, printed 1977

Manuel Alvarez-Bravo

A work made of tempera on panel.

The Adoration of the Magi, c. 1495

Raffaello Botticini

A work made of oil on canvas.

In the Woods, c. 1860

Imitator of Narcisse Virgile Diaz de la Peña

A work made of gelatin silver print.

Invisible Woman I, from the series "Invisible Women", 2006

Sabelo Mlangeni

A work made of gelatin silver print.

Harlem, NY, from the series "Harlem, U.S.A.", 1978, printed 2010

Dawoud Bey

A work made of color woodblock print; oban triptych.

Women watching fireworks at Sumida River, c. 1795/96

Kitagawa Utamaro

A work made of oil on panel.

The Wedding of Peleus and Thetis, 1636

Peter Paul Rubens

A work made of gelatin silver print.

Iran: Shiraz - Three Women With Caged Birds, 1943/64

Inge Morath

A work made of ceramic.

Oil Lamp in the Form of a Woman's Body, 19th/20th century

Yoruba

A work made of blue carbon transfer and watercolor (recto and verso) on cream wove paper.

Sheet of Sketches: Men and Women (recto and verso), n.d.

Jules Pascin

A work made of color woodblock print; oban, surimono.

Women weaving on a loom, late 1810s and/or early 1820s

Katsushika Hokusai

A work made of fan (shovel-shaped); ink and colors on silk; wood handle, ivory tip.

Women at Leisure, Qing dynasty (1644–1911), 19th century

A work made of wood engraving in black on buff japanese paper.

Women Bathing, 1930s

Cecil Buller

Painting of the Annunciation, dove flying above Mary with angel.

The Annunciation, 1490–95

Jean Hey, (the Master of Moulins)

A work made of oil on panel.

Hesitation (Madame Monteaux?), c. 1867

Alfred Stevens

A work made of watercolor and gouache, heightened with gum varnish, on tan wove paper.

Ceremony in a Cathedral, n.d.

Louis Haghe

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