Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of rayon and cotton, satin weave; screen printed.

West Wind, 1931

Duncan Grant

A work made of etching in black on paper.

Three Women, 1905

Emil Orlik

A work made of pen and black inks, over graphite on tan laid paper.

Women and Birds, 1940

Fernand Léger

A work made of lithograph in black on cream laid paper, laid down on off-white wove paper (chine collé).

Women Bathing: Day, c. 1895

Camille Pissarro

A work made of watercolor and gouache, over traces of graphite, on cream watercolor paper, laid down on wood-pulp board.

Two Women in a Doorway, 1882

Lawrence Carmichael Earle

Painting of a cliff overlooking the sea. Two figures in long dresses, one with a parasol, stand on the cliff beneath blue sky.

Cliff Walk at Pourville, 1882

Claude Monet

A work made of oil on canvas.

On the Bank, c. 1915

Frederick Carl Frieseke

A man in a blue tunic carries another in a decorative tan tunic. He is superimposed on a didactic like map. There is writing in the upper left and bodies along the lower border with trees.

We Must Bear, 2014

Nilima Sheikh

A work made of lithograph in black on off-white wove paper.

Four Heads of Women, 1876–77

Hilaire Germain Edgar Degas

A work made of oil on canvas.

The Terrace, c. 1660

Dutch

A diagonal line of leaping ballet dancers recedes from a starkly lit dancer partially visible at bottom left. All are broadly painted against a blue-green ground above them, pale pink below. They have obscured features and are highlighted in yellow and green. A conductor's hands emerge at bottom.

Ballet Dancers, 1885–86

Henri de Toulouse-Lautrec

A work made of painted wood, tin, canvas, and lights.

Bicycle Theatre, 1968

June Leaf

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.

At the Moulin Rouge, 1892–95

Henri de Toulouse-Lautrec

A work made of engraving in black on ivory laid paper.

The Four Naked Women, 1497

Albrecht Dürer

A work made of charcoal, pastel, and black chalk, with stumping, touches of colored pencil, and incising, on off-white wove paper.

At the Circus: Work in the Ring, 1899

Henri de Toulouse-Lautrec

A pensive faced woman sits, slightly hunched, holding a book.

Interrupted Reading, c. 1870

Jean Baptiste Camille Corot

A work made of oil on cradled panel.

Approaching Storm, 1864

Eugène Louis Boudin

A work made of black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream japanese paper laid down on cream wove paper (an imitation japanese vellum).

Two Standing Tahitian Women, 1894

Paul Gauguin

A work made of colored pencils and pastel, with touches of blue ballpoint pen, on cream wove paper.

Nude Model, Reclining, n.d.

Marion Perkins

A work made of gouache, over graphite, on off-white laid paper, laid down on gray board.

Elegant Women at the Trifle, 1919/20

Raoul Dufy

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