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A work made of transparent and opaque watercolor, with blotting and scraping, on thick, moderately-textured, ivory wove paper.

Campfire, Adirondacks, c. 1892

Winslow Homer

A work made of watercolor, with blotting and sanding, over charcoal, on moderately thick, moderately textured, ivory wove paper.

Prout's Neck, Breakers, 1883

Winslow Homer

A work made of silver and glass.

Cruet Stand, 1904/05

Koloman (Kolo) Moser

A work made of various graphites, heightened with opaque white watercolor, on medium weight, slightly textured gray wove paper.

Children Sitting on a Fence, 1874

Winslow Homer

A work made of watercolor, with graphite, on moderately thick, rough-textured, ivory wove paper.

Two Boys Watching Schooners, 1880

Winslow Homer

A work made of watercolor, with rewetting and blotting, over graphite, on thick, rough-textured, ivory wove paper.

Sunshine and Shadow, Prout's Neck, 1894

Winslow Homer

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting, and scraping, over traces of graphite, on moderately thick, rough-textured, ivory wove paper.

The End of the Day, Adirondacks, 1890

Winslow Homer

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over resist and traces of graphite, on medium weight, moderately textured, ivory wove paper, laid down on cream wove paper.

Prout's Neck, Breaking Wave, 1887

Winslow Homer

A work made of watercolor, with rewetting, blotting, and scraping, over traces of graphite, on thick, rough-textured, ivory wove paper.

The Lone Boat, North Woods Club, Adirondacks, 1892

Winslow Homer

A work made of watercolor, with rewetting and blotting, over traces of graphite, on thick, rough-textured, ivory wove paper (top edge trimmed).

Prout's Neck, Evening, c. 1894

Winslow Homer

A work made of transparent and opaque watercolor, with traces of scraping, over graphite, on thick, moderately textured, cream wove paper (top and lower edges trimmed).

The Cock Fight, 1885

Winslow Homer

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, moderately-textured, ivory wove paper (left and lower edges trimmed).

The Return, Tynemouth (recto) Study (verso), 1881

Winslow Homer

A work made of etching and aquatint with lavis, stopping-out, scraping, and burnishing, on moderately thick, smooth, cream simulated japanese vellum.

Fly Fishing, Saranac Lake, 1889

Winslow Homer

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting and touches of scraping, over graphite, on thick, rough-textured, cream wove paper (top and lower edges trimmed).

Tynemouth Priory, England, 1881

Winslow Homer

A work made of transparent watercolor, with traces of opaque watercolor, rewetting, blotting, spatter and traces of scraping, over graphite, on moderately thick, slightly textured, ivory wove paper.

The Outlook, Maine Coast, 1894

Winslow Homer

A work made of wood engraving on buff wove paper.

"Dad's Coming!", published November 1, 1873

Winslow Homer

A work made of etching on ivory parchment.

Eight Bells, 1887

Winslow Homer

A work made of wood engraving on paper.

"Any Thing for Me, If You Please?"—Post-Office of the Brooklyn Fair in Aid of the Sanitary Commission, published March 5, 1864

Winslow Homer

A work made of wood engraving on paper.

"Snap-the-Whip", published September 20, 1873

Winslow Homer

A work made of wood engraving on paper.

Our Women in the War, published September 6, 1862

Winslow Homer

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