Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Optician's Window (Later Version), New York, 1942, printed 1983

Irving Penn

A work made of color woodblock print.

By the Window, 1954

Shimozawa Kihachirô

A work made of oil on panel.

Portrait of a Young Artist, c. 1500

German

An elongated rectangular window hung vertically with a rectilinear design and an orange poppy motif near the top.

Leaded Glass Window Depicting A Stylized Poppy, 1900/25

Unknown

A work made of color woodblock print; chuban, surimono.

Lovers Dressing Beside a Window, 1765

Suzuki Harunobu

A work made of oil on cardboard.

Woman's Head, c. 1890

Albert Besnard

A work made of hand-colored lithograph on buff wove paper.

Window Garden, 1980

Susan Hunt-Wulkowicz

A work made of gelatin silver print.

Church Window, 1949

Harry Callahan

A work made of oil on canvas.

Out My Window, 1930

Hanns Kralik

A work made of gelatin silver print.

I Am On My Vacation, New York, 1944, printed 1985

Irving Penn

A work made of gelatin silver print.

O'Sullivan's Heels, New York, c. 1939, printed 1983

Irving Penn

A work made of color woodblock print.

Girl by the Window, 1947

Shinagawa Takumi

A work made of etching on ivory wove paper.

The Seven Stone Weakling from "A rake's progress" 3a, 1961–1963

David Hockney

A work made of pastel on cream wove pastel paper, perimeter mounted on light gray wove paper.

At the Window, rue des Trois Frères, 1878–79

Camille Pissarro

A work made of platinum print.

From the Back-Window "291", 1915

Alfred Stieglitz

Painting of a scene in a dimly-lit, cavernous room with a bassinet and small table. A shaft of light falls on four figures: a light-skinned woman in a white head covering, a baby on her lap, a male figure at her side, and a small dog at their feet. The couple feeds the fussing baby from a bowl, smiling.

A Mother Feeding her Child (The Happy Mother), 1707

Willem van Mieris

A work made of lithograph on ivory wove paper.

From Window, 1935/42

William S. Schwartz

An elevation drawing of a multistory building with a slightly pitched roof, a large arched entryway, and multiple bands of windows. The ground level is colored blue while the upper levels have red details.

Rookery Building, Chicago, Illinois, LaSalle Street Elevation, 1885/87

Burnham and Root

A work made of gelatin silver print.

From My Window at An American Place, North, 1930/31

Alfred Stieglitz

A work made of oil on canvas.

Poor Room—There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever, and Forever, and Forever without End, 1942–43, 1948–55, 1957–63

Ivan Albright

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