Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching on cream wove paper tipped at top two corners to backboard of hinged window mat.

On Stony Creek, 1910

Earl H. Reed

A work made of lithograph on off-white wove paper.

Window, 1939

Theodore C. Polos

A work made of stencil.

The Force of Habit, January 8, 1945

Vladimir V. Lebedev

A work made of stencil.

Untitled, March 20, 1945

Vladimir A. Milashevskii

A work made of stencil.

Hitler and "Fraternal" Austria, January 27, 1945

Pavel P. Sokolov-Skalia

A work made of stencil.

Liberate Our Brothers!, May 31, 1944

Petr A. Sarkisian

A work made of stencil.

The Gauleiter’s Trick, or a Futile Disguise, May 11, 1945

Sergei N. Kostin

A work made of stencil.

A Resounding Success, December 16, 1944

Mikhail M. Cheremnykh

A work made of gelatin silver print, from "as from my window i somtimes glance...".

Church, 1955/57

W. Eugene Smith

A work made of gelatin silver print, from "as from my window i somtimes glance...".

Untitled, 1957/58

W. Eugene Smith

A work made of gelatin silver print, from "as from my window i sometimes glance".

Untitled, 1957/58

W. Eugene Smith

A work made of stencil.

They Won't Escape!, December 29, 1944

Petr A. Sarkisian

A work made of stencil.

Naval Guardsmen, June 26, 1942

Konstantin A. Vialov

A work made of gelatin silver print.

Untitled (Window with Porcelain Cat, Table and Potted Plant), 1942

Johan Hagemeyer

A work made of stencil.

The Soviet-Finnish Frontier, October 9, 1944

Mikhail M. Solov'ev

A work made of stencil.

The Last Masquerade, May 11, 1945

Petr A. Sarkisian

A work made of stencil.

Victors of the May Day Competition, April 25, 1944

Mikhail M. Solov'ev

A work made of offset lithograph with passages in stencil.

The End Result of Fascist Culture, April 3, 1944

Pavel P. Sokolov-Skalia

A work made of stencil.

The Last Satellite, October 5, 1944

Petr A. Sarkisian

A work made of etching and drypoint with foul biting in dark brown ink on japanese paper.

Renaissance Window, 1888

James McNeill Whistler

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