Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching and aquatint in black and red on ivory wove paper.

Travellers, 1968

Andrzej Pietsch

A work made of etching in black on cream laid paper.

Still Life with Travelling Trunk, 1640s

Leonard Bramer

A work made of oil on canvas.

Two Monks in a Landscape, c. 1645

Italian

A work made of oil on canvas.

Winter Scene, c. 1786

Francisco José de Goya y Lucientes

A work made of stoneware.

Jar, About 1978

Sekisui Ito

A work made of oil on canvas.

Dante's Bark, c. 1840–60

After Eugène Delacroix

A work made of color woodblock print; oban.

Nigatsu Hall, Nara (Nara Nigatsudo), from the series "Souvenirs of Travel, Second Series (Tabi miyage dai nishu)", 1921

Kawase Hasui

A work made of oil on canvas.

Armida Abandoned by Rinaldo, 1742/45

Giovanni Battista Tiepolo

A work made of linen, plain weave; embroidered with linen, rayon, silk, wool, and metal-foil-wrapped cotton in padded satin stitches; laid work and couching.

Sankt Valentin (Saint Valentine), 1996

Lissy Funk

A work made of oil on canvas.

Travellers Halting at an Inn, 1643

Style of Isaac van Ostade

A work made of oil on canvas.

Jacob's Farewell to Benjamin, c. 1655

Follower of Rembrandt van Rijn

A work made of conté crayon and charcoal with stumping on board.

Century of Progress Exposition, Travel, and Transport Building, Chicago, Illinois, Perspective, c. 1930/32

Edward Herbert Bennett

A work made of oil on canvas.

The Diligence, c. 1820–23

Nicolas Toussaint Charlet

A work made of ivory, wood, glass, and leather.

Old Beggar Carrying Child, c. 1735–c. 1750

Simon Troger

A work made of oil on canvas, mounted on board.

At the Fountain, 1887

Cesare Agostino Detti

A work made of oil on canvas.

Tobias and the Angel, After 1684

Pieter Mulier, II

A work made of woodcut on paper.

Fable: The Boasting Traveler, n.d.

Thomas Bewick

A work made of oil on panel.

Landscape with Figures Crossing a Bridge, 1790–1800

John Rathbone

A work made of 289 small squares of silk, 7:1 satin damask weave, 7:1 satin weave, 4:1 satin damask weave, 4:1 satin weave, 4:1 satin weave self-patterned by areas of plain weave, and 3:1 twill weave self-patterned by areas of plain weave and plain weave; pieced; edged with silk and gold-leaf-over-lacquered-paper strips, 4:1 satin weave with supplementary patterning wefts and silk and gold-leaf-over-lacquered-paper strips, 7:3 float weave self-patterned by ground weft floats.

Square, 18th century, late Ming dynasty (1368–1644)/ early Qing dynasty (1644–1912)

A work made of pen and brown ink and brush and gray wash on cream laid paper, tipped onto ivory laid paper.

Two Travelers under Tree with Village and Bridge in Distance, 1707

William Kent

<<<2345 >>>