Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A blue and brown watercolor perspective of the Hagia Sophia building complex, a multidomed structure. A floor plan is painted below it in blue.

Hagia Sophia, Istanbul, Turkey, Elevation and Plan, 1942

Walter Andrew Netsch

A work made of etching in black on cream laid paper.

Still Life with Travelling Trunk, 1640s

Leonard Bramer

A work made of stoneware.

Jar, About 1978

Sekisui Ito

A work made of oil on canvas.

Two Monks in a Landscape, c. 1645

Italian

A work made of linen, plain weave; embroidered with linen, rayon, silk, wool, and metal-foil-wrapped cotton in padded satin stitches; laid work and couching.

Sankt Valentin (Saint Valentine), 1996

Lissy Funk

A work made of oil on canvas.

Winter Scene, c. 1786

Francisco José de Goya y Lucientes

A work made of color woodblock print; oban.

Nigatsu Hall, Nara (Nara Nigatsudo), from the series "Souvenirs of Travel, Second Series (Tabi miyage dai nishu)", 1921

Kawase Hasui

A work made of oil on canvas.

Travellers Halting at an Inn, 1643

Style of Isaac van Ostade

A work made of oil on canvas.

Dante's Bark, c. 1840–60

After Eugène Delacroix

A work made of conté crayon and charcoal with stumping on board.

Century of Progress Exposition, Travel, and Transport Building, Chicago, Illinois, Perspective, c. 1930/32

Edward Herbert Bennett

A work made of oil on canvas.

Armida Abandoned by Rinaldo, c. 1742–45

Giovanni Battista Tiepolo

A work made of oil on canvas.

Jacob's Farewell to Benjamin, c. 1655

Follower of Rembrandt van Rijn

A work made of oil on canvas.

The Diligence, c. 1820–23

Nicolas Toussaint Charlet

A work made of 289 small squares of silk, 7:1 satin damask weave, 7:1 satin weave, 4:1 satin damask weave, 4:1 satin weave, 4:1 satin weave self-patterned by areas of plain weave, and 3:1 twill weave self-patterned by areas of plain weave and plain weave; pieced; edged with silk and gold-leaf-over-lacquered-paper strips, 4:1 satin weave with supplementary patterning wefts and silk and gold-leaf-over-lacquered-paper strips, 7:3 float weave self-patterned by ground weft floats.

Fragment of an Altar Cloth, Late Ming dynasty (1368–1644) or early Qing dynasty (1644–1911), 18th century

A work made of ivory, wood, glass, and leather.

Old Beggar Carrying Child, c. 1735–c. 1750

Simon Troger

A work made of oil on canvas, mounted on board.

At the Fountain, 1887

Cesare Agostino Detti

A work made of woodcut on paper.

Fable: The Boasting Traveler, n.d.

Thomas Bewick

A work made of pen and brown ink and brush and gray wash on cream laid paper, tipped onto ivory laid paper.

Two Travelers under Tree with Village and Bridge in Distance, 1707

William Kent

A work made of color woodblock print.

Kozu, Osaka, from the series "Souvenirs of Travel, Third Series (Tabi miyage dai sanshu)", 1924

Kawase Hasui

A work made of oil on canvas.

Tobias and the Angel, After 1684

Pieter Mulier, II

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