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A work made of soft ground etching, drypoint, aquatint, and etching, with reddish-brown pastel, on ivory japanese paper.

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–80

Hilaire Germain Edgar Degas

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Balcony, 1879/80

James McNeill Whistler

A work made of drypoint and mezzotint in black and reddish-brown ink on cream wove paper.

Oedipus and Antigone, from Cycle: Antiquity, 1981

Jirí Anderle

A work made of cut steel, wrought iron, and steel mesh.

Wolf and Goat Fire Screen, 1917–20

Wilhelm Hunt Diederich

A work made of pair of six-panel screens; ink, colors, and gold on paper.

The Tale of Taishokan, 1640-80

A work made of etching and drypoint with foul biting in dark brown ink on ivory laid paper.

The Garden, 1879/80

James McNeill Whistler

A work made of engraving on laid paper.

Bacchanal with Silenus, 1475/80

Andrea Mantegna

A work made of etching and aquatint in black on cream wove paper.

Actresses in Their Dressing Rooms, 1879–80

Hilaire Germain Edgar Degas

A work made of drypoint and mezzotint in brown and black ink on cream wove paper.

Andromeda and Medusa, from Cycle: Antiquity, 1981

Jirí Anderle

A work made of etching in brown on cream wove paper.

The Spires at 8th St., 1915

Edward Timothy Hurley

A work made of etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

La Salute: Dawn, 1879/80

James McNeill Whistler

Steel helmet with brass stripe trim, leather ties.

Portions of a Jousting Helmet, 1570/80

A work made of engraving in black ink on cream laid paper.

Descent into Limbo, 1475/80

Andrea Mantegna

Drawing of Jesus Christ carrying cross, soldier jabbing with staff, crowd following.

The Road to Calvary, 1475/80

Master of the Housebook

A work made of soft ground etching, drypoint, aquatint, and etching on buff laid paper.

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–80

Hilaire Germain Edgar Degas

A work made of wool and silk, slit and double interlocking tapestry weave.

The Bird Catcher, from The Noble Pastoral, 1778/80

François Boucher

Abraham Lincoln, Seated

Abraham Lincoln, Seated, 1919

Timothy Cole

George Washington

George Washington, 1920

Timothy Cole

A work made of wood engraving on chine paper.

Portrait of William Hogarth, from Old English Masters, 1897, printed 1902

Timothy Cole

A work made of wood engraving on chine paper.

Garrick and his wife, from Old English Masters, 1897, printed 1902

Timothy Cole

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