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A work made of engraving on ivory laid paper.

Hercules and Telephos, plate two from Three Famous Antique Sculptures, c. 1592, printed c. 1617

Hendrick Goltzius

A work made of etching on cream wove paper.

Three Score and Ten, n.d.

Arthur William Heintzelman

A work made of pen and brown ink, with brush and brown wash, on buff laid paper, laid down on buff laid paper.

Horse, Seen Three-Quarters From the Rear, 1615/17

Jacques Callot

A work made of earthenware with three-color (sancai) lead glazes and resist decoration.

Ovoid Jar with Blossom-Like Spotting, Tang dynasty (618–906), first half of 8th century

A work made of color woodblock print; uncut hosoban triptych, benizuri-e.

Set of Three Hanging Scrolls, Day Dream Plays (Kakemono sampukutsui utsusu no asobi), c. 1755

Nishimura Shigenaga

Color print of a Japanese landscape with a person on horseback in the foreground, flanked by several trees and low green hills. Beyond this figure, others on ferries cross a winding river in rowboats toward tent-like structures in the distance. Vertical text in Japanese peppers the top half of the work, with text in a vertical red banner at upper right.

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of engraving in black on ivory laid paper.

Dancing Couple, plate three from The Large Wedding-Dancers, 1538

Heinrich Aldegrever

A work made of etching in black on cream laid paper.

Three Spanish Women, 1890/1945

Ignacio Zuloaga

A work made of earthenware with molded decoration and three-color (sancai) lead glazes.

Phoenix-Headed Ewer, Tang dynasty (618–907), first half of 8th century

A work made of color woodblock print; chuban.

Kawasaki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of earthenware with three-color (sancai) lead glazes and traces of polychrome pigments.

Seated Woman Holding Mirror, Tang dynasty (A.D. 618–907), first half of 8th century

A work made of earthenware with molded relief decoration and lead glaze.

Cylindrical Jar with Three Bear-Shaped Feet and Mountain-Shaped Cover, Han dynasty, 206 BCE–220 CE

A work made of color woodblock print; chuban.

Otsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

One of Three Leaves from the Perfection of Wisdom Sutra (Ashtasahasrika Prajnaparamitasutra)

One of Three Leaves from the Perfection of Wisdom Sutra (Ashtasahasrika Prajnaparamitasutra), Pala period, late 12th century

A work made of color lithograph from three plates on glass paper.

Cup 2 Picasso, 1972–73

Jasper Johns

A work made of gelatin silver print.

Untitled (Stamped City Studio, Bristow, Oklahoma), c. 1920/29

Unknown Maker

A work made of wool, plain weave; screen printed.

Panel (Three Uncut Scarves), 1901/50

Paul Rodier

A work made of color woodblock print; chuban.

Fujikawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of lithograph on ivory wove paper.

Three White Horses, 1938

Max Kahn

A work made of gelatin silver print, from "portfolio three" (1980).

Fox River, Gaspé, 1936, printed 1980

Paul Strand

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