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  • Art Institute Chicago
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A work made of red chalk on ivory laid paper, laid down on card.

Three Nude Women, n.d.

Workshop of Raphael

A work made of black fiber-tipped pen (faded to brown) on tan wove paper.

Three Nude Women, 1950

Milton Avery

A work made of gelatin silver print.

Untitled, c. 1960

Malick Sidibé

A work made of gelatin silver print.

Three Generations, 1990

Sally Mann

A work made of pen and blue ink on white wove paper.

Three Sketches of a Male Nude, c. 1955

Walter Stein

A work made of etching and drypoint on white wove paper.

Plate 20, from Dead Souls, 1923–27

Marc Chagall

A work made of bronze.

Stray Horse, 1906

E. Drappier

A work made of drypoint in black on cream laid paper.

Drypoint Number Three: Portrait, 1909

Donald Shaw MacLaughlan

A work made of oil and gouache on paper, mounted on cardboard and backed with canvas.

The Three Judges, 1928

Georges Rouault

A work made of linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair.

Dispersions (no. 20), 2013

Anne Wilson

A work made of etching and aquatint on ivory laid paper.

There They Go Plucked (i.e. fleeced), plate 20 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of lithograph on paper.

Three Worlds, 1955

Maurits Cornelis Escher

A work made of pen and black ink on cream wove card, discolored to tan.

Three Children, n.d.

Constantin Brancusi

A work made of soft ground etching and drypoint in sanguine on ivory wove paper.

Three Nudes, 1908

Jacques Villon

A work made of conté crayon and charcoal with stumping on board.

Century of Progress Exposition, Travel, and Transport Building, Chicago, Illinois, Perspective, c. 1930/32

Edward Herbert Bennett

Vibrantly colored painting of nude woman lying, and man standing, in lush landscape.

Earthly Paradise, 1916–20

Pierre Bonnard

A work made of engraving on cream laid paper.

Three Captives, c. 1505

Jacopo de' Barbari

A work made of book with mixed media relief sculpture on cover with five lithographs in color, twelve lithographs in black, four etchings in black, one etching in color, and two woodcuts in black on ivory wove paper.

Le Surréalisme en 1947, Paris: Pierre à Feu; Maeght, 1947

André Breton

A work made of lithograph on white wove paper.

Three Spheres II, 1946

Maurits Cornelis Escher

A work made of charcoal and pastel with stumping, and touches of brush and black wash, on grayish-tan laid paper with blue fibers, laid down on gray wove paper.

Three Studies of a Dancer in Fourth Position, 1879/80

Hilaire Germain Edgar Degas

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