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A work made of color woodblock print; edition 20/50.

The Man Who Climbs Mountains, 1957

Azechi Umetaro

A work made of lithograph in blue on white wove paper.

Plate Three, from The Mallarmé Suite, 1992

Ellsworth Kelly

A work made of color woodblock print; oban.

Hara, Yoshiwara, and Kanbara, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Three Stations (Tokaido gojusan eki sanshuku meisho)", c. 1830/35

Utagawa Kuniyoshi

A work made of color woodblock print; chuban.

Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of earthenware with three-color (sancai) lead glazes and traces of pigments.

Seated Girl Holding Mirror, Tang dynasty (618–907), first half of 8th century

A work made of color lithograph from three stones on white wove paper.

The Kiss, 1965

Marisol

A work made of etching, lavis, drypoint, burin, and burnishing on ivory wove paper with gilt edges.

The Same, plate three from The Disasters of War, 1810/15, published 1863

Francisco José de Goya y Lucientes

A work made of etching and engraving on ivory laid paper.

Water, plate three from The Four Elements, 1622

Jan van de Velde, II

A work made of etching on grayish-ivory china paper.

Grazing Horse, plate three from Series of Horses, 1651

Dirck Stoop

A work made of earthenware with three-color (sancai) lead glazes.

Jar, Tang dynasty (618–907), first half of 8th century

A woodblock print of a snowy black and white landscape of houses, trees and mountains. In foreground, three hunched figures wearing blue and yellow, walk in the snow.

Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of wool (camelid), tubular three- and five-color complementary warp and three-color complementary weft plain weave, double cloth; braided warp cut fringe.

Band, 800-900

Nasca

A work made of gouache with brush and black ink, watercolor, pen and black ink, and touches of gold metallic paint, selectively varnished on off-white laid paper.

The Castle of the Sorceress, from Love of Three Orange, n.d.

Boris Israelevich Anisfeld

A work made of watercolor and gouache, with brush and black ink, gold metallic paint, pen and black ink, and touches of graphite, selectively varnished, on off-white laid paper.

Room of the Sick Prince, from Love of Three Orange, n.d.

Boris Israelevich Anisfeld

A work made of color woodblock print; oban.

Three Beauties of Our Time (Tosei san bijin), n.d.

Chokosai Eisho

A work made of graphite and black pastel, on cream wove paper, perimeter mounted on ivory laid paper.

Sheet of Sketches: three Landscapes, Horses, and Hooves, 1813/14

Jean Louis André Théodore Géricault

A work made of color woodblock print; chuban.

Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of color woodblock print; chuban.

Yoshida, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of color woodblock print; chuban.

Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of color lithograph on three sheets of cream wove paper, laid down on fabric support.

Art Institute by the Elevated Lines, c. 1924

Willard Frederic Elms

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