Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of lithograph in black on ivory wove paper.

Three Women Bathing, 1928

Suzanne Valadon

A work made of pen and black ink, with brush and black and gray wash, over traces of charcoal, on ivory wove paper (discolored to cream).

The Three Connoisseurs, after 1869

Honoré-Victorin Daumier

A work made of etching in black on ivory laid japanese vellum.

Eventail de Madame Mallarmé, plate 20 from Poesies de Mallarmé, 1932

Henri Matisse

A work made of black crayon on buff tracing paper, formerly laid down.

Horse Turned Three-Quarters, c. 1880

Hilaire Germain Edgar Degas

A work made of gouache and black crayon on yellow wove paper.

Three Nudes in the Forest, 1911

Max Pechstein

A work made of lithograph in black on cream wove paper.

Making Sailors: Duff, plate 20 from The Great War: Britain's Efforts and Ideals, 1917

Frank Brangwyn

A work made of sixteen silver dye bleach prints; edition number three of three.

Self-Portrait, 1978/95

Nan Goldin

A work made of lithograph on ivory wove paper.

The Black Bull, April 20, 1947

Pablo Picasso

A work made of chromogenic print.

Addison Street Carnival, 1972

Luis Medina

A work made of soft ground etching, with aquatint, on cream wove paper.

Toil of Three, 1919–20

Arthur B. Davies

A work made of etching in black on paper.

Three Women, 1905

Emil Orlik

A work made of soft ground etching, with aquatint, on ivory wove paper.

Tartessians, 1919–20

Arthur B. Davies

A work made of engraving on paper.

Apollo, plate 20 from Apollo and the Muses, c. 1465

Master of the E-Series Tarocchi

A work made of oil on panel transferred to canvas.

King Solomon Receiving the Queen of Sheba, 1515–20

Master of the Antwerp Adoration Group

A work made of watercolor on tan wove paper.

Three Figures in a Forest, 1912

Christian Rohlfs

A work made of copper-plated bronze.

Chicago Stock Exchange Building: Elevator Enclosure Grille T-Plates, 1893/94

Adler & Sullivan, Architects

A work made of oil, vinyl screen, and acrylic on canvas.

Number Three, 1967

Kestutis Edward Zapkus

A work made of etching and aquatint on ivory laid paper.

Here Comes the Bogeyman, plate three from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A recumbent, full-figured nude rendered in pink and gray geometric shapes, her hands above her head, on a gray and blue ground, a brown tree with sparse needles behind her.

Nude under a Pine Tree, January 20, 1959

Pablo Picasso

A work made of red chalk on ivory laid paper.

Three Studies of a Gentleman, 1710/11

Jean Antoine Watteau

<<<78910 >>>