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A work made of wool (camelid), tubular three- and five-color complementary warp and three-color complementary weft plain weave, double cloth; braided warp cut fringe.

Band, 800-900

Nasca

A work made of lithograph in black, with hand-coloring, on cream wove paper.

At the Casino, and Three Other Sketches, n.d.

A. Barret

A work made of earthenware with three-color (sancai) lead glazes.

Jar, Tang dynasty (618–907), first half of 8th century

A work made of engraving in black on ivory laid paper.

Mars, plate three from The Seven Planets with the Zodiacs, 1539

Hans Sebald Beham

A work made of color lithograph on three sheets of cream wove paper, laid down on fabric support.

Art Institute by the Elevated Lines, c. 1924

Willard Frederic Elms

A work made of color woodblock print; oban.

Hara, Yoshiwara, and Kanbara, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Three Stations (Tokaido gojusan eki sanshuku meisho)", c. 1830/35

Utagawa Kuniyoshi

A work made of color woodblock print; chuban.

Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of lithograph in blue on white wove paper.

Plate Three, from The Mallarmé Suite, 1992

Ellsworth Kelly

A work made of color woodblock print; edition 1/20.

Soil (Woodblock) [Jo (Mokuhan)], 1959

Sato Hiromu

A work made of gelatin silver print.

Untitled ("He Loves Me - He Loves Me Not" Which?), c. 1910/19

Unknown Maker

A work made of etching, lavis, drypoint, burin, and burnishing on ivory wove paper with gilt edges.

The Same, plate three from The Disasters of War, 1810/15, published 1863

Francisco José de Goya y Lucientes

A work made of lithograph on cream wove paper.

The Owl with White Background, January 20, 1947

Pablo Picasso

A woodblock print of a snowy black and white landscape of houses, trees and mountains. In foreground, three hunched figures wearing blue and yellow, walk in the snow.

Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of etching on grayish-ivory china paper.

Grazing Horse, plate three from Series of Horses, 1651

Dirck Stoop

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

Minyas' Daughters Refuse to Recognize the God Bacchus, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of etching and engraving on ivory laid paper.

Water, plate three from The Four Elements, 1622

Jan van de Velde, II

A work made of color lithograph on white wove paper.

St Etienne du Mont and the Pantheon, Paris, plate 20 from Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, Etc., 1839

Thomas Shotter Boys

A work made of gelatin silver print, no. 20 from the portfolio "danny lyon" (1979).

Llanito, New Mexico, 1970

Danny Lyon

A work made of color woodblock print; chuban.

Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of gouache with brush and black ink, watercolor, pen and black ink, and touches of gold metallic paint, selectively varnished on off-white laid paper.

The Castle of the Sorceress, from Love of Three Orange, n.d.

Boris Israelevich Anisfeld

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