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A work made of gelatin silver print.

Three Men Sitting on Steps at the Seine, Paris, 1931

Ilse Bing

A work made of color woodblock print; chuban.

Narumi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of pen and black iron gall ink on ivory laid paper.

Three Half-Length Figures, 1622/72

Pieter Jansz.

A work made of lithograph in black on cream china paper, laid down on ivory wove paper (chine collé).

Plate Three from Misery, 1851

Charles Rambert

A work made of color woodblock print; ōban.

Okabe: Mount Utsu (Okabe, Utsunoyama)—No. 22, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, 1847–52

Utagawa Hiroshige

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Wishes, plate three from A Glove, 1881

Max Klinger

A work made of woodblock print.

Three Gourds (Kabocha), 1963

Hiratsuka Un'ichi

A work made of etching and burnishing on ivory wove paper with gilt edges.

Truth has died, plate 79 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of gouache and watercolor, with touches of black fiber-tipped pen and graphite, over green and blue pastel and graphite, on off-white laid paper.

The Prince and Truffaldino Pushing the Oranges, from Love of Three Orange, n.d.

Boris Israelevich Anisfeld

A work made of lithograph in pale pink, green, and pale green on light ivory wove paper.

The Morning Bouquet, Tears, plate three from Love, 1898, published 1899

Maurice Denis

A work made of color woodblock print; chuban.

Hodogaya, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

A work made of pen lithograph on tan wove paper.

Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of bound volume of albumen prints (20).

Photographic Sketch Book of the Civil War, Volume I, 1861/65

Alexander Gardner

A work made of pen and brown ink with brush and brown wash, over graphite, and black crayon on cream wove paper, perimeter mounted on ivory laid paper.

Three Sketches of an Equestrian Battle and a Sketch of Two, 1813/14

Jean Louis André Théodore Géricault

A work made of color woodblock print; naga-oban.

Mother and Child at Dusk (Oyako yugure), from the series "Three Evening Pleasure of the Floating World (Ukiyo san seki)", c. 1800

Kitagawa Utamaro

A work made of wood engraving in black on ivory japanese paper.

The Three Fates #1, 1946

Cecil Buller

A work made of steel and silver.

Rapier, 1610-20

A work made of color woodblock print; oban.

Fuchu: Miroku nichome, Abekawa (Fuchu, Abekawa Miroku nichome), no. 20 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido, 1855

Utagawa Hiroshige

A work made of color lithograph on white nacre paper.

Three Generals, 1961

Misch Kohn

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