Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of engraving in black on ivory laid paper.

Mars, plate three from The Seven Planets with the Zodiacs, 1539

Hans Sebald Beham

A work made of color woodblock print; oban.

Hara, Yoshiwara, and Kanbara, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Three Stations (Tokaido gojusan eki sanshuku meisho)", c. 1830/35

Utagawa Kuniyoshi

A work made of lithograph in blue on white wove paper.

Plate Three, from The Mallarmé Suite, 1992

Ellsworth Kelly

A work made of color woodblock print; chuban.

Kyoto, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of gelatin silver print, no. 20 from the portfolio "danny lyon" (1979).

Llanito, New Mexico, 1970

Danny Lyon

A work made of etching, lavis, drypoint, burin, and burnishing on ivory wove paper with gilt edges.

The Same, plate three from The Disasters of War, 1810/15, published 1863

Francisco José de Goya y Lucientes

A work made of lithograph on cream wove paper.

The Owl with White Background, January 20, 1947

Pablo Picasso

A work made of etching and engraving on ivory laid paper.

Water, plate three from The Four Elements, 1622

Jan van de Velde, II

A work made of etching on grayish-ivory china paper.

Grazing Horse, plate three from Series of Horses, 1651

Dirck Stoop

A work made of gelatin silver print, no. 15 from "portfolio three: yosemite valley" (1959).

Trees and Cliffs, Yosemite National Park, 1954, printed 1959

Ansel Adams

A work made of gelatin silver print.

Untitled ("He Loves Me - He Loves Me Not" Which?), c. 1910/19

Unknown Maker

A work made of 16 mm color film transferred to digital video (projection, silent); 8 min. loop edition number two of three.

Hysteria, 1997

Sam Taylor-Wood

A work made of color woodblock print; edition 1/20.

The Artist's Son, 1952

Sekino Jun’ichirō

A woodblock print of a snowy black and white landscape of houses, trees and mountains. In foreground, three hunched figures wearing blue and yellow, walk in the snow.

Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of gelatin silver print, from "portfolio three" (1980).

Mr. Bennett, Vermont, 1944, printed 1980

Paul Strand

A work made of chiaroscuro woodcut in black, ochre, and green on cream laid paper.

Cliff on a Seashore, from Four Small Landscapes, 1597/1600, printed 1605/20

Hendrick Goltzius

A work made of gouache with brush and black ink, watercolor, pen and black ink, and touches of gold metallic paint, selectively varnished on off-white laid paper.

The Castle of the Sorceress, from Love of Three Orange, n.d.

Boris Israelevich Anisfeld

A work made of watercolor and gouache, with brush and black ink, gold metallic paint, pen and black ink, and touches of graphite, selectively varnished, on off-white laid paper.

Room of the Sick Prince, from Love of Three Orange, n.d.

Boris Israelevich Anisfeld

A work made of color woodblock print; oban.

Three Beauties of Our Time (Tosei san bijin), n.d.

Chokosai Eisho

A work made of graphite and black pastel, on cream wove paper, perimeter mounted on ivory laid paper.

Sheet of Sketches: three Landscapes, Horses, and Hooves, 1813/14

Jean Louis André Théodore Géricault

<<<33343536 >>>