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A work made of color screenprint on white wove paper.

Three Lamps, from Screen Prints 1970, 1970

Daniel Burgevin

A work made of pen and brown ink with brush and brown wash, over graphite, on cream laid paper, laid down on buff laid paper.

Three Figures with Severed Head on Ground, 1600/20

Circle of Marcantonio Bassetti

A work made of brush and brown wash and black chalk, on buff laid paper, laid down on card.

Head of a Man in Three-quarters Profile, n.d.

Unknown Milanese

A work made of gelatin silver print, no. 2 from "portfolio three: yosemite valley" (1959).

Merced River, Cliffs of Cathedral Rocks, Autumn, 1939

Ansel Adams

A work made of pen and brown ink on ivory laid paper.

Sacrifice of Isaac (recto); Jacob's Dream (verso), 1613/20

Guercino

A work made of 54 pages with period binding, including 20 drawings after old masters, redon's artistic, musical, and literary theories, and technical studies.

Sketchbook, 1860/65

Odilon Redon

Gold Pouring #20

Gold Pouring #20, 1992

Victor Raphael

A work made of silver dye-bleach print, no. 20 from the portfolio "rodeo drive" (1984).

Rodeo Drive #20, 1984, printed c. 2014

Anthony Hernandez

[Park City #20]

[Park City #20], 1978–1979

Lewis Baltz

A work made of etching on copper in black on ivory, wove (imitation japanese) paper.

The Fall of Phaeton with the Sun Chariot, from Les Métamorphoses, September 20, 1930, published 1931

Pablo Picasso

A work made of red chalk on ivory laid paper, laid down on card.

Female Caryatid, 1700/20

Perino del Vaga

A work made of drypoint on copper in black on parchment.

Three Comedians with a Bust of Marie-Thérèse, from the Vollard Suite, March 14, 1933, printed 1939

Pablo Picasso

A work made of gelatin silver print, from "portfolio three" (1974).

Romance of Ambrose Bierce #3, 1964, printed 1974

Ralph Eugene Meatyard

A work made of gelatin silver print, from the portfolio "the amish portfolio" (1968).

Three Amish Girls, 1963

George A. Tice

A work made of earthenware with three-color (sancai) lead glazes and traces of pigments.

Armored Guardian King (Tianwang) Trampling Demon, Tang dynasty (618–907 A.D.), first half of 8th century

A work made of bound volume of albumen prints (20).

Photographic Sketch Book of the Civil War, Volume I, 1861/65

Alexander Gardner

A work made of gelatin silver print.

Untitled, c. 1960/69

Unknown Maker

A work made of silk, plain weave with three-color supplementary pile warps forming cut solid velvet.

Panel, 1401-1425

A work made of earthenware with three-color (sancai) lead glazes and traces of pigments.

Ogre-Headed Guardian Beast (Zhenmushou), Tang dynasty (618–907), first half of 8th century

A work made of etching on paper.

Hunting Birds, from Various Scenes Designed in Florence, 1618–20

Jacques Callot

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