Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color woodblock print; uncut hosoban triptych, benizuri-e.

Courtesans Drawn in Osaka style (right), Kyoto style (center), and Edo style (left), from "Courtesans of the Three Capitals: A Set of Three (Sanga no tsu keisei sanpukutsui)", c. 1748

Okumura Masanobu

A work made of gelatin silver print.

Untitled, c. 1910/19

Unknown Maker

A work made of engraving on ivory laid paper.

The Marriage of Ferdinand de' Medici and the Duchess Christine de Lorraine, plate 1 from The Life of Ferdinand de' Medici, 1616/20

Jacques Callot

A work made of gelatin silver print, from "portfolio three" (1980).

The Camargue, France, 1951, printed 1980

Paul Strand

A work made of earthenware with three-color (sancai) lead glazes.

Horse, Tang dynasty (618–907), first half of 8th century

A work made of gelatin silver print.

Untitled, c. 1950/59

Unknown Maker

A work made of color woodblock print; chuban.

Akasaka, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of engraving in black on cream laid paper.

Julius Caesar, plate three from The Nine Worthies, 1594

Nicolaes de Bruyn

A work made of wood, mother-of-pearl, and iron.

Double-Barreled Holster Pistol with Two Locks, c. 1610/20

A work made of mahogany with caning and upholstery.

Settee, 1815–20

Artist unknown

A work made of etching and aquatint on white wove paper.

Zen Studies, plate three from Cold Mountain Series, 1990

Brice Marden

A work made of gelatin silver print.

"Color Solid" device, a color chart in three dimensions (view 2), c. 1977

Unknown

A work made of book; woodblock printed.

Santai gafu (Album of Drawings in Three Ways), complete in 1 vol., c. 1816

Katsushika Hokusai

A work made of gelatin silver print.

Untitled (Stamped Passed by US Army Examiner 20438), c. 1940/49

Unknown Maker

A work made of silk, warp-float faced 7:1 satin weave with supplementary binding warps tying some three color complementary self-patterning ground wefts in plain interlacings.

Panel, c. 1724/27

Print in color of two sailboats on blue water carrying cargo. One boat has five humans in it, two wearing red with wide hats, three in blue. A black mountain range, sparse with trees, rises in the background. Japanese characters appear in black ink in the upper portion of the image, with additional text on a red vertical banner in the the upper-right corner and in red at lower left.

Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

A work made of internal dye diffusion transfer print.

Untitled, c. 1960/69

Unknown Maker

A work made of etching on paper.

Manhood, plate three from The Four Ages of Man, 1636

Abraham Bosse

A work made of etching, printed in black, on paper.

Landscape with Hunter and Three Dogs, n.d.

Jonas Umbach, the elder

A work made of gouache, with watercolor, gold leaf, gold metallic paint, and touches of graphite, selectively varnished, on off-white laid paper.

The King and the Doctors, from Love of Three Orange, n.d.

Boris Israelevich Anisfeld

<<<31323334 >>>