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A work made of drypoint and burin on ivory laid paper.

Christ Crucified between the Two Thieves: "The Three Crosses", 1653

Rembrandt van Rijn

A work made of graphite, with stumping and touches of incising on grayish-cream wove paper.

Seated Woman, Three-Quarter Length, 1922

Luc-Albert Moreau

A work made of engraving on paper.

Pantalone, from Three Italian Comedians, 1618–20

Jacques Callot

Six-folded screen decorated on the upper level with full-heigh figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: Asia (Panel Three), c. 1820

A work made of etching and aquatint on dark cream wove paper.

Philosopher, plate three from One Death, Part II, c. 1889

Max Klinger

A work made of engraving in black on ivory laid paper.

Three Soldiers and a Dog, n.d.

Hans Sebald Beham

A work made of color woodcut, selectively inked, on black wove paper.

Three Figures, c. 1945

Anne Ryan

A work made of collaged elements on cut and embossed (designed) ivory wove paper.

Untitled Valentine (Three Hearts), c. 1865

Berlin and Jones

A work made of etching on ivory laid paper.

The Three Magi: Balthasar, King of Sheba, c. 1612-1616

Jacques Bellange

A work made of hand-colored woodblock print; center sheet of hosoban triptych, urushi-e.

The Daruma Overcoat (Haori Daruma), from "Three Pictures of Harmony (Waki sanpukutsui)", c. 1725/30

Okumura Masanobu

A work made of watercolor on ivory.

A Gentleman, c. 1810–20

Benjamin Trott

A work made of three chromogenic prints.

Portrait of S.A.M. (Africans), 1993

Fred Wilson

A work made of lithograph (crayon) in purple or violet on cream wove paper hinged at top corners to gray-brown wove paper.

Pessima, plate three from Yvette Guilbert, 1898, printed 1930

Henri de Toulouse-Lautrec

A work made of earthenware with three-color (sancai) lead glazes.

Armored Guardian King (Tianwang) Trampling Demon, Tang dynasty (618–907), first half of 8th century

A work made of color woodblock print; edition 4/20.

The Observing Eye, 1959

Azechi Umetaro

Black-and-white photograph of an empty cobblestone alley, with small trash piles and an overturned bucket in the foreground.

Charles Lane, Between West and Washington Streets, September 20, 1938

Berenice Abbott

A work made of soft ground etching and aquatint on light blue laid paper.

Tragic Figure, 1919–20

Arthur B. Davies

A group of light-skinned people accompanied by a horse and rider carry a palanquin, or box on two poles used to transport a person. A silhouetted backdrop of huts and trees in black and gray contrasts with the colored figures.

Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

A work made of woodcut from three blocks in water-based colors on cream laid paper.

Breaking Waves, September Tide, 1901

Louis Auguste Lepère

A work made of woodcut in black on cream japanese paper.

The Three Graces, 1938

Leonard Havens

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