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A work made of color photo-etching from four plates on ivory wove paper.

Plate Three from Uruguayan Torture Series, 1983

Luis Camnitzer

A work made of blue crayon, on cream wove paper.

Three Sketches: Woman with Hair Down, Woman with Hat, Woman Half-Dressed, n.d.

Jean Louis Forain

A work made of albumen print.

Entrance to Hotel du Soleil, 1910/20

Jean-Eugène-Auguste Atget

A work made of engraving in black on ivory laid paper.

Two Children Wearing Helmets, plate three of Twelve Ornament Panels, c. 1505–20

Giovan Pietro Birago

A work made of hand-colored woodblock print; uncut hosoban triptych, urushi-e.

High-Ranking Courtesans of the Three Capitals - A Set of Three (Santo tayu sanpukutsui), c. 1740

Torii Kiyomasu II

A work made of color woodblock print.

Ishiyakushi, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of etching and engraving in black on cream laid paper.

Evening, Plate Three from The Four Times of Day, 1738

Bernard Baron

A work made of color woodblock print; oban.

Hodogaya: Katabira River and Katabira Brige (Hodogaya, Katabiragawa Katabirabashi)—No. 5, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of gelatin silver print.

Two American Flags, Freed Iranian Hostage Tickertape Parade, New York City, January 20, 1981

Thomas Frederick Arndt

A work made of color woodcut from three blocks and lithograph in blue on tan wove paper.

Playful Mermaid, 1897

Henri Heran

A work made of color woodblock print; chuban.

Ouchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

A work made of graphite, on cream wove paper, perimeter mounted on ivory laid paper.

Three Studies with Sketches of a Wooded Landscape and a Cavalry Battle, 1813/14

Jean Louis André Théodore Géricault

A work made of etching, burin, drypoint and burnishing on ivory wove paper with gilt edges.

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War, 1814/20, published 1863

Francisco José de Goya y Lucientes

A work made of various.

Patti Adams Shriner, House and Studio, Number 2, 1928

Bruce Goff

A work made of collotype, pl. xx from the album "illustrations of china and its people, volume ii" (1873).

Part of Foochow Foreign Settlement; Terracing Hills; Foochow Field Women; A Memorial Arch, c. 1868

John Thomson

A work made of collotype, pl. xx from the album "illustrations of china and its people, volume i" (1873).

Physic Street, Canton, c. 1868

John Thomson

A work made of graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory japanese paper, edge mounted on cream card.

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon, 1770–71

Henry Fuseli

Page 20, from Tetrascroll

Page 20, from Tetrascroll, 1975–77

Richard Buckminster Fuller

A work made of gelatin silver print.

Untitled (3/20/35), March 20, 1935

Unknown Maker

A work made of offset lithograph in black (recto); offset lithograph in black, with red and black ink stamps, typeset label in purple, and postage stamp (verso) on cream wove paper.

Art & Project, Bulletin 20, Jan. 1970

Gilbert & George

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