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A work made of color woodblock print; chuban, surimono.

Lovers Dressing Beside a Window, 1765

Suzuki Harunobu

A work made of hand-colored lithograph on buff wove paper.

Window Garden, 1980

Susan Hunt-Wulkowicz

A work made of gelatin silver print.

Optician's Window (Later Version), New York, 1942, printed 1983

Irving Penn

A work made of gelatin silver print.

Church Window, 1949

Harry Callahan

A work made of oil on canvas.

Out My Window, 1930

Hanns Kralik

A work made of oil on panel.

Portrait of a Young Artist, c. 1500

German

An elongated rectangular window hung vertically with a rectilinear design and an orange poppy motif near the top.

Leaded Glass Window Depicting A Stylized Poppy, 1900/25

Unknown

A work made of oil on cardboard.

Woman's Head, c. 1890

Albert Besnard

A work made of gelatin silver print.

I Am On My Vacation, New York, 1944, printed 1985

Irving Penn

A work made of color woodblock print.

Girl by the Window, 1947

Shinagawa Takumi

A work made of gelatin silver print.

O'Sullivan's Heels, New York, c. 1939, printed 1983

Irving Penn

A work made of pastel on cream wove pastel paper, perimeter mounted on light gray wove paper.

At the Window, rue des Trois Frères, 1878–79

Camille Pissarro

A work made of platinum print.

From the Back-Window "291", 1915

Alfred Stieglitz

A work made of lithograph on ivory wove paper.

From Window, 1935/42

William S. Schwartz

A work made of gelatin silver print.

From My Window at An American Place, North, 1930/31

Alfred Stieglitz

A work made of salted paper print.

The Soliloquy of the Broom, 1843

William Henry Fox Talbot

Painting of a scene in a dimly-lit, cavernous room with a bassinet and small table. A shaft of light falls on four figures: a light-skinned woman in a white head covering, a baby on her lap, a male figure at her side, and a small dog at their feet. The couple feeds the fussing baby from a bowl, smiling.

A Mother Feeding her Child (The Happy Mother), 1707

Willem van Mieris

An elevation drawing of a multistory building with a slightly pitched roof, a large arched entryway, and multiple bands of windows. The ground level is colored blue while the upper levels have red details.

Rookery Building, Chicago, Illinois, LaSalle Street Elevation, 1885/87

Burnham and Root

A perspective drawing of a three-story building façade with a central archway and steps.

Lenox Building, Chicago, Illinois, Perspective, 1872

Carter, Drake and Wight

A work made of gelatin silver contact print.

Chicago, 1948

Harry Callahan

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