Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of stencil.

The Last Masquerade, May 11, 1945

Petr A. Sarkisian

A work made of stencil.

Victors of the May Day Competition, April 25, 1944

Mikhail M. Solov'ev

A work made of gelatin silver print, from "as from my window i somtimes glance...".

Church, 1955/57

W. Eugene Smith

A work made of gelatin silver print, from "as from my window i somtimes glance...".

Untitled, 1957/58

W. Eugene Smith

A work made of gelatin silver print, from "as from my window i sometimes glance".

Untitled, 1957/58

W. Eugene Smith

A work made of offset lithograph with passages in stencil.

The End Result of Fascist Culture, April 3, 1944

Pavel P. Sokolov-Skalia

A work made of stencil.

The Last Satellite, October 5, 1944

Petr A. Sarkisian

A work made of etching and drypoint with foul biting in dark brown ink on japanese paper.

Renaissance Window, 1888

James McNeill Whistler

A work made of stencil.

No Pillbox Will Save the Enemy!, April 15, 1945

Aleksandr N. Volkov

A work made of stencil.

What Is His Last Name?, May 17, 1943

Petr A. Sarkisian

A work made of gelatin silver prints (2).

Day Window Looking In/Night Window Looking In, 1972

Robert Cumming

A work made of stencil.

Under the Sultry Sky of Argentina, January 20, 1945

Pavel P. Sokolov-Skalia

A work made of stencil.

The Former Ersatz Landowner, July 3, 1944

Sergei N. Kostin

A work made of stencil.

It Happened on the Dnieper, April 17, 1944

Mikhail M. Cheremnykh

A work made of wood, metal alloys, various fibers, plain weave; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of painted wood, metal alloys, various fibers, plain weave; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of wood, metal alloys, various fibers, plain weave; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of painted wood, metal alloys, various fibers, plain weave; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of various fibers, weaves, and colors; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of transfer lithograph in black on tan laid paper.

Hôtel Colbert, Windows, 1891

James McNeill Whistler

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