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A work made of transfer lithograph in black on tan laid paper.

Hôtel Colbert, Windows, 1891

James McNeill Whistler

A work made of transfer lithograph in black ink on ivory laid paper.

Hôtel Colbert, Windows, 1891

James McNeill Whistler

A work made of wood, metal alloys, various fibers, plain weave; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of painted wood, metal alloys, various fibers, plain weave; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of wood, metal alloys, various fibers, plain weave; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of painted wood, metal alloys, various fibers, plain weave; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of various fibers, weaves, and colors; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of lithograph on off-white wove paper.

Window in the Valley, 1935/42

Hubert Davis

A work made of transfer lithograph in black on ivory laid paper.

Hôtel Colbert, Windows, 1891

James McNeill Whistler

A work made of gelatin silver print.

Untitled, from the series "As from My Window I Sometimes Glance...", 1957-58

W. Eugene Smith

A work made of graphite, ink, colored pencil and zip-a-tone on paper.

University of Illinois, Chicago Circle Campus, University Hall Window Elevation Study, 1961–1970

Skidmore, Owings & Merrill

A work made of graphite, ink, marker and zip-a-tone on paper.

University of Illinois, Chicago Circle Campus, University Hall Window Elevation Studies, 1961–1970

Skidmore, Owings & Merrill

A work made of zip-a-tone and sepia on paper.

University of Illinois, Chicago Circle Campus, University Hall Window Elevation Studies, 1961–1970

Skidmore, Owings & Merrill

A work made of twelve unbound reproductions of photographs in a double wrapper of blue printed with the title, and black with a window cut to frame the title; accompanied by a mounted gelatin silver print on loose cardstock with a handwritten dedication.

La photographie n'est pas l'art: 12 photographies (Photography is Not Art: 12 Photographs), Paris: G.L.M., 1937

Man Ray (Emmanuel Radnitzky)

A work made of black and colored ink on drawing paper.

Design Studies, Elevation of a Villa, Presentation Elevation, c. 1870

Carl (Charles) J. Furst

A work made of stencil.

The Allied Forces Have Forced the English Channel, July 16, 1944

Mikhail M. Solov'ev

A work made of chromogenic print.

1390 South Dixie Highway, Coral Gables, Florida, from the series "Picture Windows", March 1979

John Pfahl

A work made of gelatin silver print, from the portfolio "the amish portfolio" (1968).

Pump and Shuttered Windows, 1965

George A. Tice

A work made of chromogenic print.

Untitled #154 (Window Frame), 2003

Saul Fletcher

A work made of drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper.

A Lady at a Window, 1875/1877

James McNeill Whistler

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