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A work made of gelatin silver print.

Looking in the Window of a Bar, London, 1985

Thomas Frederick Arndt

Mirror of Long Ago

Mirror of Long Ago, 1946, printed later

Clarence John Laughlin

A work made of mixed media installation.

PHANTOM. Mies as Rendered Society, 2012–17

Andres Jaque

A work made of painted wood, metal alloys, various fibers, plain weave; mounted on cardboard.

Sample (Window Blind), 1949/71

Dorothy Liebes

A work made of silk, cotton, metallic strip encased in synthetic film, and metal, plain weave.

Sample (Window Blind), 1958

Dorothy Liebes

Sears (Willis) Tower, Chicago, Illinois, Elevations and Section

Sears (Willis) Tower, Chicago, Illinois, Elevations and Section, n.d.

Skidmore, Owings & Merrill

A work made of stencil.

Spiders in a Jar, August 12, 1942

Vladimir V. Lebedev

A work made of gelatin silver print.

Untitled, c. 1965-76

Zofia Rydet

A work made of offset lithograph.

This Is the Enemy, 1942

Karl Koehler

A work made of transfer lithograph in black on cream laid paper.

At the window ("Open here I flung the shutter..."), from The Raven (Le Corbeau), 1875

Édouard Manet

A work made of gelatin silver print.

Ice window, 1972

Steven Nestler

A work made of etching; edition 1/20.

Window (Mado), 1967

Horii Hideo

A work made of lithograph on natural nacre paper.

Ensenada Windows, 1962

William Brice

The Window

The Window, 1936/37

Glyn Warren Philpot

A work made of ink on vellum tracing paper.

Treppenlosen House, Berlin, Window Sections and Details, 1930

Ludwig Karl Hilberseimer

A work made of inkjet print.

Untitled (McDonald's Window), from the series, "The Week of the Perfect Game", 2009

Zoe Strauss

A work made of etching on cream laid paper taped at top two corners to backboard of hinged window mat.

Derelicts, n.d.

Earl H. Reed

A work made of graphite and pastel on tracing paper.

James and Hortense Becker House, Highland Park, Illinois, Presentation Drawing, 1957

Gertrude Eisendrath Deimel Kuh

A work made of lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper.

A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography, 1802, published 1803

Henry Fuseli

A work made of gelatin silver print.

Lacock Abbey, Window in First Paper Negative by Fox Talbot, Wiltshire, England, 1980

Lucia Woods Lindley

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