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A work made of cisele voided satin velvet.

Fragment, 16th century

A work made of cotton, plain weave; engraved roller printed; glazed.

Panel (Furnishing Fabric), 1856

Lancaster Prints

A work made of silk, three color complementary warp plain weave with inner wefts and self-patterned by inner weft floats; knotted warp fringe.

Panel (Reproduction of T'ang Textile), Shôwa period (1926–1989), 1950/75

Tatsumura Textile Company Ltd.

A work made of cotton, plain weave; probably screen printed.

Fragment (Depicting Airplanes) (Dress or Furnishing Fabric), 1927

Raisa G. Matveeva

A work made of silk, satin weave, embroidered.

Dress for Christ Child, 18th century

A work made of calabash, sticks, cloth, and string.

"A, B, C, D"-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of ceramic and pigment.

Stirrup Spout Vessel Depicting Man Holding Decorated Textile, 100 BCE–500 CE

Moche

A work made of cotton, polyester, and rayon.

Repeat Textile, 2002

Hella Jongerius

A work made of silk, bobbin straight lace (made in horizontal strips).

Bonnet Veil, 1850s

A work made of wool and linen, tapestry weave.

Border, Greco–Roman period (30 BCE– 641 CE), 4th/5th century

A work made of cotton, plain weave, double cloth.

Fragment, 900-1476

A work made of four panels joined: side panels: cotton, plain weave; center panels: cotton, warp resist dyed (warp ikat), warp-faced, weft-ribbed plain weave.

Ceremonial Textile (sekomandi), Early 20th century

Mangki

A work made of silk and linen, plain weave with supplementary patterning wefts bound by secondary binding warps in plain interlacings.

Fragment, 17th century

A work made of cotton, weft-float faced twill weave; screen printed.

Female Pioneers, 1928/32

Oskar Petrovich Gryun

A work made of cotton, combined twill weave; probably screen printed.

Industry (Dress or Furnishing Fabric), 1930

Sergi Petrovich Burylin

A work made of silk, silvered-metal strips, and silvered-metal-strip-wrapped silk, weft-rib plain weave with supplementary brocading wefts and patterning wefts.

Fragment, c. 1750

A work made of silk, warp-float faced 3:1 twill weave with weft-float faced 1:3 twill interlacings of secondary binding warps and gilt-metal-strip-wrapped silk supplementary facing wefts; supplementary warps forming pile-on-pile cut velvet with supplementary brocading wefts forming weft loops in areas with voided velvet.

Fragment of Velvet, Mid-15th-early 16th century

A work made of steel, brass, traces of gilding, leather, and velvet textile.

Armor for the Field and Tourney, 1560/70

A work made of silk, cut, uncut, voided velvet with additional patterning wefts in gold foil against plain weave foundation.

Fragment, c. 1600

A work made of silk, warp faced weft ribbed plain weave with plain interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with jacquard attachment.

Portrait of Napoleon III (1808–1873), Emperor, 19th century

Marc-Laurent Bruyas

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