Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of chromogenic print.

The Cathedral V, 1998

Todd Eberle

A work made of watercolor, over graphite, on ivory wove paper.

Untitled (Still-Life with Flowers and Fruit), n.d.

Sylvia Shaw Judson

A work made of silver dye-bleach print.

Untitled, December 1987

Sal Lopes

A work made of internal dye diffusion transfer print.

Untitled (Still Life with Bird, Eye and Photographs), June 24, 1979

André Kertész

A work made of lithograph in black on white wove paper.

An Encounter in Open Water. “- Hello... down there... Captain.., what's new in Paris? - Nothing new really... still no one goes to the Gaieté or the Ambigu. - Don't you have anything else to tell me? - Oh yes,... I forgot... I hope you like it... shut up!,” plate 11 from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of lithograph, with watercolor, heightened with gum arabic on ivory wove paper.

Robert: “- Well, well! My dear director... how's business?” Bertrand: “- Good, very good, I am quite content. Unfortunately we don't have a penny to continue! - Oh blast! - But an investor still owes us 200,000 Francs... and will come up for signature either tonight or latest tomorrow morning. - About time... I urgently need a new pair of boots,” plate 6 from Robert Macaire, 1841

Honoré-Victorin Daumier

A work made of lithograph in black, with scraping on stone on cream wove paper (sheet folded to form four pages), with text added in another hand and letterpress verso (and recto when unfolded).

An Exaggerated Rejuvenation. “Just two or three sessions with me, Monsieur, and anyone who still claims to find a grey hair on you, is a malicious person.” As a matter of fact, since the end of the second session, Monsieur's head looks as shiny as that of a newborn baby, plate 52 from Les Beaux Jours De La Vie, published March 27, 1845

Honoré-Victorin Daumier

A work made of mezzotint on white wove paper.

Still Life, 1957

Yozô Hamaguchi

A work made of gelatin silver print with china marker, white ink, opaque pen and flexichrome color.

Movie Still, 1976

Joyce Neimanas

A work made of lithograph in black on ivory wove paper.

Geogaphic Scarves. "Look Dodolphe, this is really the last sacrifice I'll do for your education... if you still don't get your geography right, it means you are completely clogged up... this time I'll stick your nose into it. To start with, you'll just need to make sure during the first day to only blow your nose in Normandy.... I'll slap you in the face if you blow your nose in the Channel!," plate 89 from Actualités, 1842

Honoré-Victorin Daumier

A work made of watercolor, over graphite (recto), and black crayon, over graphite (verso), on ivory wove paper.

Untitled (Plant Still-Life; recto); Untitled (Seated Female Figure; verso), n.d.

Sylvia Shaw Judson

A work made of color lithograph on white japanese wove paper.

May Before the Storm Still Human, from Lilacs and Smoke, 1990

Nicholas Africano

A work made of chromogenic print.

Untitled Home Movie Still, from the series "Pictures from Home", 1984/91, printed 2006

Larry Sultan

A work made of chromogenic print.

Untitled Home Movie Still, from the series "Pictures from Home", 1984/91, printed 2006

Larry Sultan

A work made of chromogenic print.

Untitled Home Movie Still, from the series "Pictures from Home", 1984/91, printed 2006

Larry Sultan

A work made of relief print in black on cream wove (simili japan) paper.

Still Life - print #47 of 52 and Cover in the 1936 Calendar of The Chicago Society of Artists, 1936

John Stenvall

A work made of gelatin silver print, from the portfolio "photographs from the school of the art institute of chicago" (1975).

Coney Island Still, 1975

Joyce Neimanas

A work made of lithograph (crayon) in black on paper.

Dark Still-Life, 1960/63

Joel Goldblatt

A work made of inkjet print in black on white wove paper.

I'm Still Awake, 2014

Carol Jackson

A work made of inkjet print in black on white wove paper.

I'm Still Awake, 2014

Carol Jackson

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