Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor and pen and brown ink, with charcoal and scraping (recto) graphite (verso), on cream wove paper, with pieced cream laid paper repairs.

Still Life with Bottle (recto) Bottle with Stipper (verso), fall 1909

Pablo Picasso

A work made of internal dye diffusion transfer.

Iconographic Art Lunches #1: The School of the Museum of Fine Arts, Boston: Submarine Sandwich: Salami, cheese, lettuce, sliced tomatoes, buns, lunch meat; Museum of Fine Arts, Boston: Salad Bar: (cont.), 1984

Robert Heinecken

A work made of chromogenic print.

Tulips - Parrot, August 9, 1985

Mary Koga

A work made of graphite on three-ply bristol paper.

Study for Cataloupe Still Life II, 1985

James Aponovich

A work made of oil on cardboard.

Guelder Roses and the Venus of Milo, 1905

Édouard Jean Vuillard

A work made of aquatint in black on cream japanese paper.

Still Life, n.d.

Ray Reshoft

A work made of gelatin silver print.

Rural Scene In Central Maine, Many Oxen Are Still Used, 1930

Lewis Wickes Hine

A work made of graphite with touches of erasing on cream wove paper.

Untitled (Abstract Still Life with Fruit), n.d.

Ray Yoshida

A work made of gelatin silver print.

Mabou, 1991

Robert Frank

A work made of charcoal, with stumping on off-white laid paper.

Still Life with Books, Bottle and Pitcher, c. 1912

Noël-François Roger de La Fresnaye

A work made of chromogenic print.

Tulips - Pink #21, May 14, 1984

Mary Koga

A work made of gelatin silver print.

Still Life with My Shoe, 1929

Maurice Tabard

A work made of gelatin silver print.

Pillow II (after Dürer), 1999

Vik Muniz

A work made of oil on canvas.

Young Woman Sewing, 1879

Pierre-Auguste Renoir

A work made of lithograph in black on paper.

Still Life, 1960–63

John Edward Heliker

A work made of linocut in dark cream, pink, and reddish brown on ivory wove paper.

Still-Life with Lunch I, 1962

Pablo Picasso

A work made of color etching and aquatint from two copper plates on white wove paper.

A Moving Still Life, from The Blue Guitar, 1976–77

David Hockney

A work made of monotype in black, on grayish ivory china paper, laid down on ivory wove paper (chine collé).

Still Life with Goldfish V, 1914/15

Henri Matisse

A work made of gelatin silver print.

Untitled, c. 1931

Eli Lotar

A work made of gelatin silver print.

Was Ist Das, Mabou, 1996

Robert Frank

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