Vessel of a Man with Tattoos, 350–500 CE

Nasca

Stirrup Spout Vessel Depicting Costumed Runners, 100 BCE–500 CE

Moche

Stirrup Spout Vessel in Form of a Man Laying on a Bird, 100 BCE–500 CE

Moche

Vessel, 1450–1532

Inca

Chepstow Castle in Monmouth Shire, plate one from Twelve Views in South Wales, 1775

Paul Sandby

Fragment of a Vessel in the Form of a Puma, 100 BCE–500 CE

Moche

Beaker Depicting Ritual Figure Wearing Costume with Bird Attributes, 180 BCE–500 CE

Nasca

Stirrup Spout Vessel Depicting Costumed Runners, 100 BCE–500 CE

Moche

Mold-Made Female Figurine Wrapped in Cloth and Tied with String, c. 100–600 CE

Moche

Standing, "Smiling" Figure with Hands Raised, 600–900

Remojadas

Bucket, 1500/1525

South End, Clark Street Bridge, 1910

Frank Willoughby Raymond

Fragment, A.D. 1476/1532

Chuquibamba

Clark Street at Lake Street, View South, 1983

Bob Thall

Bird's Eye View (South), from the series "Chicago and Vicinity", 1873

Lovejoy and Foster

Open Entry to Chilli and Peru South America, n.d.

Joseph Yoakum

Stirrup Spout Portrait Vessel of a Ruler, 100 BCE–500 CE

Moche

Stirrup Spout Vessel with Fineline Fox Warrior Motif, 100 BCE–500 CE

Moche

Male Head, Gupta period, 4th/5th century

South House, Woman Winnowing Grain, pl. 10 from the album "Taos Pueblo" (1930), 1920/29

Ansel Adams