Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of limestone.

Weight Representing a Llama, 1450–1532

Inca

A work made of ceramic.

Blackware Vessel with Relief Depicting a Scene of Human Sacrifice, 100 BCE–500 CE

Moche

A work made of steel, iron, and wood.

Cup-Hilted Rapier, c. 1650/60

A work made of brush and ink, acrylic and watercolor on ivory wove paper.

After Photography, 2003

Marlene Dumas

A work made of ceramic and pigment.

Portrait Vessel of a Ruler, 100 BCE–500 CE

Moche

A work made of cotton, plain weave; embroidered with cotton and wool (camelid) in stem stitches.

Fragments (Border), 100 B.C./A.D. 200

Nasca

A work made of cotton, plain weave with bundles of extended warps; painted.

Mummy Mask, 200/100 B.C.

Paracas

A work made of gelatin silver print.

Flash Flood, Badlands, South Dakota, 1981

Greg MacGregor

A work made of blackened terracotta.

Vessel (Ukhamba), 1970/90

Azolina MaMncube Ngema

A work made of bronze.

Blade with Two Figures in Presentation Scene, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Handle Spout Vessel in the Form of a Bean Warrior, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Handle Spouted Vessel with Composite Relief with Human Head, Puma, and Serpent, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Portrait Vessel of a Head, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Handle Spout Jar with Fineline Bird Hunt Motifs, 100 BCE–500 CE

Moche

A work made of woodblock print.

South Izu Peninsula, 1970

Hiratsuka Un'ichi

A work made of drypoint in black with brush and watercolor on cream japanese paper.

New South Ferry, 1904

Charles Frederick William Mielatz

A work made of wool (camelid), simple looping; applied wool (camelid) braided neck edging; and unspun wool fringe.

Tunic, 200/1 B.C.

Paracas

A work made of albumen print, stereo.

Lincoln Cathedral, South Porch, n.d.

W. Woodward

A work made of ceramic and pigment.

Vessel in the Form of a Skull, 100 BCE–500 CE

Moche

A work made of gelatin silver print.

View looking south from Forty-sixth Street, 1932

Samuel H. Gottscho

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