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A work made of ceramic and pigment.

Jar in the Form of a Human Head Showing Teeth, 100 BCE–500 CE

Moche

A work made of charcoal with smudging, erasing and red crayon on ivory wove paper.

Drawing from "Zeno Writing" (landscape, text fragments), 2002

William Kentridge

A work made of ceramic and pigment.

Whistle in the Form of a Standing Figure, 180 BCE–500 CE

Nasca

A work made of ceramic and pigment.

Beaker Depicting Human Head and Abstract Costumed Figures, 180 BCE–500 CE

Nasca

A work made of two panels joined: bands of cotton, silk, gold-and silver- leaf-over-lacquered-paper-strip wrapped cotton, plain weave with supplementary patterning wefts; bands of cotton, silk, gold-leaf-over-lacquered-paper-strip wrapped cotton, plain weave with supplementary brocading wefts; bands of cotton and silk, weft resist dyed (weft ikat) plain weave; bands of cotton and silk, weft resist dyed (weft ikat) plain weave with supplementary brocading wefts and bands of cotton, silk, gold- leaf-over-lacquered-paper-strip wrapped cotton, slit tapestry weave.

Shoulder or Skirt Cloth (kain bidak), around 1900

A work made of ceramic and pigment.

Mold-Made Female Figurine with Pierced Holes in Head and Shoulders, c. 100–600 CE

Moche

A work made of steel, iron, and wood.

Rapier, 1640/60

A work made of ceramic and pigment.

Beaker Depicting a Costumed Performer Holding Decapitated Head, 180 BCE–500 CE

Nasca

A work made of aquatint with etching on ivory laid paper.

Title Plate, from Twelve Views in South Wales, 1775

Paul Sandby

A work made of ceramic and pigment.

Circular Vessel Depicting Figures Holding Ceremonial Staffs, 180 BCE–500 CE

Nasca

A work made of lithograph on paper.

South Brent, Devon, from Picturesque Selections, 1860

James Duffield Harding

A work made of two panels joined: cotton and silk, stripes of warp-faced, weft ribbed plain weave; warp-faced, weft ribbed plain weave with supplementary brocading wefts, and warp resist dyed (warp ikat) plain weave with supplementary brocading wefts; appliquéd with wool, plain weave; embroidered with silk, cotton, pineapple fiber, silver-leaf-over-lacquered-paper strip wrapped cotton and silver-leaf-over-lacquered-paper strip wrapped bast fiber (probably ramie) in buttonhole, double running, split, stem, straight and surface satin; laidwork and couching; embellished with metal-backed glass mirrors.

Ceremonial Skirt (tapis), Early 19th century

Abung

A work made of sandstone.

Dancing Mother Goddess Brahmani, 10th century

A work made of sandstone.

God Shiva Seated with the Seven Mother Goddesses (Saptamatrika), 10th century

A work made of sandstone.

Pillar Fragment with Gods Shiva and Ganesha and Goddesses Parvati and Durga, 8th/9th century

A work made of patinated ivory.

Furniture Leg with Dancing Nature spirits (Yakshis), c. 17th century

A work made of greenish gray schist.

Mother Goddess Maheshvari Seated on the Bull Nandi, 10th/11th century

A work made of sandstone.

Four-Armed God Vishnu, c. 5th century

A work made of sandstone.

Ten-Armed Goddess Durga, Seated on a Double Lion Throne, 11th century

A work made of sandstone.

Emblem of God Shiva with Four Faces (Chaturmukhalinga), 7th/8th century

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