Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of silver and wood.

Teapot, 1848

Obadiah Rich

A work made of gelatin silver print.

Georgia O'Keeffe—Torso, 1918

Alfred Stieglitz

A work made of silver dye-bleach print.

Hot Dog Stands: Sammy's, Division Street, from the series "Hot Dog Stands", 1987

Patty Carroll

A work made of silver dye-bleach print.

Plastic-Covered Tree Near Lawrence and Kenmore, Chicago, 1984

Luis Medina

A work made of silver.

Drachma (Coin) Portraying Chosroes I, 531-579

Iranian

A black-and-white print of a 19th-century woman in a frilly dress, staring to the right in a pensive manner. She wears three pearl necklaces and holds flowers.

Anne Thackeray Ritchie, May 1870

Julia Margaret Cameron

A work made of silver.

Stater (Coin) Portraying Mithrapata, 380-375 BCE

Ancient Greek

A work made of gelatin silver print in acrylic frame; edition number five of six.

Cremaster 5: The Queen of Chain, 1997

Matthew Barney

A work made of silver.

Coin Portraying King Sapor II, 309-379

Iranian

A work made of gelatin silver print.

Underfoot XXX, New York, August/September 2000, printed November 21, 2000

Irving Penn

A work made of silver dye-bleach print, from the portfolio "a-z" (2007).

Q, 2007

Neil Winokur

A work made of silver.

Caudle Cup, c. 1683

Cornelius Vanderburgh

A work made of gelatin silver print.

Lamp in Petit Montrouge, 1950

Todd Webb

A work made of gelatin silver print.

Chicago 224, 1953

Aaron Siskind

A work made of silver.

Scissors, Tang dynasty (618–907), 8th or 9th century

A work made of silver.

Toast Rack, c. 1880

Christopher Dresser

A work made of gelatin silver print.

A Family One Evening In A Nudist Camp, Pennsylvania, 1965

Diane Arbus

Photo collage of two small circular portraits of men, superimposed over shadowy abstract shapes.

Untitled, 1923

El Lissitzky

A work made of gelatin silver print.

Woman under Six Lights, 1950/55

Ralph M. Hattersley

A work made of gelatin silver print.

Marcel Duchamp, New York, April 30, 1948, printed 1984

Irving Penn

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