Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wood.

Walnut, 1953

Raoul Hague

A work made of a multiple consisting of 128 books, 5 packing cartons, 1 table and 1 bookmark.

Remainders: Novel, Sculpture, Film, 1991

Allen Rawson Ruppersberg

A work made of box construction.

Untitled (Game), c. 1940

Joseph Cornell

Head of Pierre de Wissant

Head of Pierre de Wissant, Modeled c. 1885–86, cast c. 1913/23

Auguste Rodin

Surrounded by lush, bright foliage, man and a young girl at close range lean against a fence near a lake. The man is smoking, and both wear straw hats.

Near the Lake, 1879–80

Pierre-Auguste Renoir

A work made of marble.

Portrait of Eva, c. 1947

Marion Perkins

A work made of marble.

Capital with Man Fighting Lion (A) and Riding Griffin (B), c. 1180

Lombard

A work made of gelatin silver print.

Steel Mill. 80 inch Hot Strip Mill. Inland Steel Co., E. Chicago, Ind., 1979

David Plowden

A work made of bronze.

Hercules and Lichas, 1600–1625

Italian

A work made of epoxy.

The Forest (La forêt), 1969

Jean Dubuffet

A work made of painted poplar.

Sister Tuesday, 1934

Leslie G. Bolling

Large triangular structure lying on floor, top panel bisects horizontally creating ramp.

Untitled, 1976

Donald Judd

A work made of bronze.

The Tin Hat, c. 1916

Jacob Epstein

A work made of buff sandstone.

Celestial Beauty (Apsara), 8th century

A work made of marble.

Fragment of a Portrait Statue of a Man, Perhaps a Roman Emperor, late 1st-early 2nd century

Ancient Roman

A work made of paint, plaster, costume-jewelry ring, and tobacco tin.

Puériculture, mid–1940s (conceived c. 1921)

Man Ray (Emmanuel Radnitzky)

A work made of gilt bronze.

Altarpiece with Crowned Buddha, Angkor period, 12th–13th century

A work made of five sculptural elements: plywood and beaverboard, acrylic paint, motors, and speakers, with audio.

City of Chicago, 1967

Red Grooms

A work made of gold and silver.

Transcendent Buddha Akshobhya, 9th/10th century

A light-skinned nude woman, center, struggles while a light-skinned nude man, top left, violently pulls white translucent fabric off of her. Dark red and brown textiles, a pillow, dagger, and fallen nude statue complete the scene.

Tarquin and Lucretia, 1578–80

Tintoretto

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