Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching on cream kitakata chine collé, laid down on white wove paper.

Root, 1993

Richard Hull

A work made of graphite on ivory wove paper.

Lady II: Girl Wearing Bolero Jacket, 1973

Ed Paschke

A work made of two color etching and aquatints on ivory wove paper.

Emmett Till, 2002

Carrie Iverson

A work made of ink, graphite, and crayon on white tracing paper.

SAIC Project for Building at State and Monroe, Chicago, Illinois, Interior Perspective, c. 2001

Kennedy & Violich Architecture (Firm)

A work made of lithograph, one color on each side of mylar.

Untitled, from The New York Collection for Stockholm, 1973

John Angus Chamberlain

A work made of graphite on white wove paper.

Tropicale, 1976

Ed Paschke

A work made of fiber-tipped pen and colored inks on off-white wove card.

Road to Kairouan, Tunisia, 1970

Ivan Albright

A work made of hand-colored lithograph on white wove paper.

Rosarita, 1974

Ed Paschke

A work made of pen and black ink, brush and black ink and brown wash, with black ink spatter, over traces of graphite, on cream wove paper.

Meteorite, n.d.

Theodore Roszak

A work made of gouache and traces of graphite on green board.

Flowers, 1969–70

Jack Beal

A work made of color lithograph on white wove paper.

Apollo, n.d.

Robert Natkin

A detailed graphite section drawing of a split-level residential interior, showing two adjacent rooms filled with furniture.

Proposed Interior, Henry Ford House, Perspective Section, c. 1917

George Mann Niedecken

A work made of photoetching.

Change of Address, August 1975

Keith Smith

A work made of etching on ivory wove paper.

Country Club Dance, December 1968

Philip Hanson

A work made of graphite and colored pencils with incising on ivory wove paper, tipped onto silver cardboard with pen and black ink.

Knife Time, October 1969

Jim Nutt

A work made of lithograph on cream wove paper.

Conflicts, 1930

Carl Hoeckner

A work made of offset lithograph commercially printed on white wove paper.

False Image, 1969

Roger Brown

A work made of etching on white wove paper.

Self-Portrait in a Crowd, 1962, published 1964

Red Grooms

A work made of watercolor and graphite on paper.

Chicago Symphony Orchestra, n.d.

Dan Lutz

Salvage Realism (for Jess)

Salvage Realism (for Jess), 1978

Irving Petlin

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