Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of woodcut on cream wove paper.

Hull House Poster, 1935

Carl Hoeckner

A work made of oil on linen.

He Would Yell at Me, 1990

Jim Lutes

138th Tube Painting Dedicated to St. Lucy and Don Quixote

138th Tube Painting Dedicated to St. Lucy and Don Quixote, 1968

Francis Piatek

A work made of watercolor on paper.

Ranch Wyoming, 1946

Ivan Albright

A work made of watercolor and gouache, with brush and black ink, on white, clay-coated wove paper.

Three Trees, Georgia, 1969

Ivan Albright

A work made of cotton, plain weaves; printed; pieced; backed with cotton, plain weave; quilted.

Bedcover (Trip Around the World Quilt), 1982

Grace Earl

A work made of collage of brush and black ink and brush and gray wash, over touches of graphite, and cut-and-pasted ivory wove paper, on ivory wove paper.

Haulers, 1965

Red Grooms

A work made of ink on acetate.

Foliation (Design on Paper), 1951

Ben Rose

A work made of color lithograph on white wove paper.

Kontato, 1984

Ed Paschke

A work made of graphite with smudging on ivory wove paper, laid down on bristol board.

Woman Figure with Medusa Ornaments, 1967

Claes Oldenburg

Print in black ink of of a black male sprawled on his back with eyes open, a noose around his neck. The feet of several other men are visible near him at the top of the print.

And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47), 1947, printed 1989

Elizabeth Catlett

A work made of letterpress on ivory wove paper.

Title Page, from Conspiracy, The Artist as Witness, 1971

Alexander Calder

A work made of watercolor, heightened with touches of white gouache, on buff wove paper.

Tree, Georgia, 1961

Ivan Albright

A work made of photo-etching, aquatint, lift ground and etching, from two plates, in black on ivory wove paper.

Untitled, 1963

James Valerio

A work made of watercolor, over traces of graphite, on off-white watercolor paper.

Yea, They're Bucking Up Old Bob, 1968

David Sharpe

A work made of pen, brush and black ink and watercolor on white wove paper.

Untitled (Pyramid & Cactus), 1970

H. C. Westermann

A work made of lithograph on ivory wove paper.

From Window, 1935/42

William S. Schwartz

A work made of brush and black ink, on off-white, clay-coated wove paper.

Moscow, 1967

Ivan Albright

A work made of lithographic crayon on frosted mylar.

Study for "Wisconsin Still Life", 1979

Jack Beal

A work made of book, concrete, wood, and artificial leaves.

Frame-Theory, the Artificial Blossom, or the Blind Man's Bluff, 1991

Margaret Wharton

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