Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of charcoal, pastel, and oil on canvas.

Study for "The Vermonter", 1965–66

Ivan Albright

A work made of oil on canvas.

Rubbings from the Calcium Garden...Meadlo, 1970

Irving Petlin

A work made of oil on hardboard.

Self-Portrait (No. 2), 1981

Ivan Albright

A work made of gouache and oil on hardboard.

The Courtesans, c. 1950

Leon Golub

A work made of gouache, with touches of watercolor, on tan wove paper, laid down on cream board.

Japanese Fantasy, 1954

Mark Tobey

A work made of silver dye bleach transparency in lightbox.

Photo Credit: Bob Brooks, 1966, 1997

Adam Brooks

A work made of brush and black, gray, and reddish-brown wash, with touches of pen and black ink, on cream wove paper.

Night Foliage, n.d.

Edward Millman

A work made of watercolor over touches of graphite on ivory wove paper.

Bairds Trogon, 1985

Robert Lostutter

A work made of graphite with touches of stumping and erasing on ivory wove paper.

Still Life with Flowers and Mirror, 1983

James Valerio

A work made of compact disc, blue tinted polyester window film, existing architectural space; 13 min. loop.

Sonambulo II (Blue), 1999

Iñigo Manglano-Ovalle

A work made of watercolor and gouache, with touches of charcoal, on off-white wove card.

Copenhagen, Denmark, 1967

Ivan Albright

A work made of oil on canvas.

Head (I), 1958

Leon Golub

A work made of brush and white gouache and watercolor, with incised lines on cream wove paper.

Fragment, 1969

Mark Tobey

A work made of chromogenic print.

GAR Memorial Hall, Chicago Cultural Center, 1982

Wayne Cable

A work made of oil on canvas.

Artist in the Suburbs, 1978

Seymour Rosofsky

A work made of chromogenic print, from the portfolio "the green dress: a chicago story" (1980).

Drinking in Hogan's Bar, 1980

Dirk Bakker

A work made of palladium print.

Georgia O'Keeffe, 1922

Alfred Stieglitz

A work made of pastel on black wove paper.

Chicago Skyline, 1979

Jack Beal

A warm-toned watercolor painting of a crowd in a medical waiting room. On the left, brown-skinned figures wait in a line that extends into the background toward the right. Other brown-skinned figures sit on a bench in the foreground. The figures are represented in a variety of ways that indicate physical injury—some have crutches and others wear white bandages. Scientific and medical instruments are painted on the walls.

Free Clinic, 1937

Jacob Lawrence

A bisected rectangle, each side of which icludes a curved form seeming to represent a portion of a human body adorned in black lace undergarments.

Loose Beauty, 1973

Christina Ramberg

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