Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of oil on panel.

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806

Francisco José de Goya y Lucientes

A work made of tempera on panel, transferred to canvas.

The Baptism of Christ, 1500/05

Perugino

A work made of silk, cut, uncut, voided velvet with additional patterning wefts in gold foil against plain weave foundation.

Fragment, c. 1600

A work made of tempera on panel.

Salome Asking Herod for the Head of Saint John the Baptist, c. 1455

Giovanni di Paolo

Pastel drawing of two figures in a sailboat, bright multi-colored clouds.

Flower Clouds, c. 1903

Odilon Redon

A work made of tempera on panel, transferred to canvas.

Christ and the Woman of Samaria, 1500/05

Perugino

A work made of transparent watercolor, with touches of opaque watercolor, rewetting, blotting and traces of scraping, on thick, rough-textured, ivory wove paper.

Breaking Storm, Coast of Maine, 1894

Winslow Homer

A work made of blown glass with polychrome enamels and gilding.

Lamp, Mamluk dynasty (1250-1517), 14th century

Islamic

A work made of brocaded plain compound cloth, silk, gold wound on yellow silk core, silver wound on white silk core.

Fragment, 18th century

Islamic

A work made of tempera on panel.

The Head of Saint John the Baptist Brought before Herod, c. 1455

Giovanni di Paolo

A work made of oil on panel.

Friar Pedro Binds El Maragato with a Rope, c. 1806

Francisco José de Goya y Lucientes

A work made of gold.

Aureus (Coin) Portraying Emperor Caligula, 37-38, issued by Caligula

Ancient Roman

A work made of hanging scroll; ink, colors, and gold on silk.

Nehan: Death of the Buddha, late 17th/early 18th century

A work made of oil on panel.

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806

Francisco José de Goya y Lucientes

A work made of silk, warp-float faced 3:1 twill weave with weft-float faced 1:3 twill interlacings of secondary binding warps and gilt-metal-strip-wrapped silk supplementary facing wefts and supplementary brocading wefts forming weft loops in areas and with supplementary pile warps forming pile-on-pile cut voided velvet.

Fragment, 1450/1500

A work made of oil on canvas.

Fishing Boats in a Calm, 1651

Jan van de Cappelle

A work made of oil on panel.

The Adoration of the Eucharist, c. 1626

Peter Paul Rubens

A work made of transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove paper.

The Rapids, Hudson River, Adirondacks, 1894

Winslow Homer

A work made of tempera and oil (estimated) on panel.

Triptych of the Crucifixion with Saints Anthony, Christopher, James and George, c. 1400

Netherlandish

A work made of transfer lithograph on cream wove paper.

Greek Athletes, 1919–20

Arthur B. Davies