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A work made of various charcoals, with touches of black chalk, stumping, wiping and erasing, heightened with touches of white and ocher gouache, on cream wove paper altered to a pale, golden tone.

Primitive Man, 1872

Odilon Redon

A work made of lithograph on white wove paper.

An Activist, from Les Femmes Socialistes, 1849

Honoré-Victorin Daumier

A work made of etching on paper.

Six People Watching a Snake, from Scherzi, 1735–40

Giambattista Tiepolo

A work made of oil on canvas.

The Cloisters, San Lorenzo fuori le mura, 1824

Christoffer Wilhelm Eckersberg

A work made of charcoal and graphite with stumping on ivory wove paper, laid down on wood pulp board.

The Veil, c. 1887

Fernand Khnopff

A work made of oil on panel.

Place des Batignolles, Paris, 1893

Albert André

A work made of cut and uncut velvet.

Fragment, 1600/25

A work made of lithograph in black on ivory wove paper.

Galvina, from Collection of Study Heads, 1821

Hyacinthe Louis Aubry-Lecomte

A work made of oil on canvas.

The Apple Market, c. 1880

Stanislas Lépine

A work made of boxwood.

Crucifixion Relief from a Rosary Bead, 1500/25

Flemish

A work made of silver.

Stater (Coin) Depicting a Shield, 379-338 BCE

Ancient Greek

A work made of etching and drypoint on cream japanese paper.

Peasant with a Wheelbarrow, 1855

Jean François Millet

A work made of wool, double interlocking twill tapestry weave; attached side borders, ends and tabs of pieced twill weaves; main warp fringe.

Long Shawl, 1800/15

A work made of oil on canvas.

The Courtyard, c. 1880

Stanislas Lépine

A work made of oil on canvas.

Monks at Supper, c. 1720

Alessandro Magnasco

A work made of etching on cream laid paper.

Saint Jerome, c. 1631

Jan van Vliet

A work made of tin-glazed earthenware (maiolica).

Dish (Coppa Amatoria), 1530/45

A work made of oil on canvas.

The Hollow Road, c. 1700

Cornelis Huysmans

A work made of silver.

Denarius (Coin) Portraying Emperor Hadrian, 119-22, issued by Hadrian

Ancient Roman

A work made of etching and drypoint in dark brown on ivory laid paper.

A Woman Churning, 1855

Jean François Millet

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