Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of copper with silver wash.

Bowl, 1920–40

Falick Novick

A work made of charcoal and black chalk, with stumping and traces of graphite, on tan wove paper, laid down on cream wood-pulp laminate board.

The Holiday, 1918

Mstislav Valerianovic Dobuzinskij

A work made of photolithography and photomontage.

Sovetskii teatr (The Soviet Theater), 1930

Gustav G. Klutsis

A work made of gelatin silver print.

Council of the Agricultural Commune, 1928

Boris Ignatovich

A work made of lithograph in black with fawn tint on ivory wove paper.

Monument to the Glorious Memory of Emperor Nicholas I, 1855–1900

C. Schultz

One Hundred Fables (Cento Favole)

One Hundred Fables (Cento Favole), 1961

Pietro Annigoni

A work made of lithograph in blue and yellow on ivory wove paper.

Darkness Mother Darkness Mother, 1977

Andrei Voznesenskii

A work made of color lithograph on off-white paper.

The Party – the Mind, Honor and Conscience of Our Time!, 1985

V. Sachkov

Water Pulse

Water Pulse, 2013

Evgeniya Plotnikova

A work made of gelatin silver print.

Entertaining the Troops, 1941–45, printed 2003

Dmitri Baltermants

A work made of printed book with two-color photomontage wrappers.

Das Leben der Autos (Life of the Automobile), 1930

John Heartfield

A work made of photolithography and photomontage.

Oktiabr’: Desiat let bor’by i stroitel’stva 1917-1927. Katalog knig. (October: Ten Years of Struggle and Construction 1917-1927: Book Catalog), 1927

Varvara Fedorovna Stepanova

A work made of color woodblock print; oban.

Russians (Oroshiajin), 1861

Utagawa Yoshikazu

A work made of bronze.

Medal commemorating the Avery Library, 1914

Victor David Brenner

A work made of color woodblock print.

Putiatin with His Flag and Two Guards of Honor, from the Album of seven prints of Russian Army and Warship (Roshia seigi shashin kan), 1853

Keiga

A work made of stencil.

Narva is Liberated!, July 27, 1944

Viktor P. Sokolov

A work made of linen, twill weave with bands of plain weave with main warp loop pile; pulled thread work embroidered with silk and gilt- and silvered-metal-strip-wrapped silk in double and russian overcast filling stitches; embroidered in double running and satin stitches; main warp fringe.

Bath Towel, 18th or 19th century

A work made of linen, plain weave; cut and drawn-work embroidered with linen and silk floss in aztec, hem, interlaced loop, russian overcast, and a variation of the roman stitch; and embroidered with linen and silk floss in back, cross, double running, long-armed cross, and satin stitches.

Sampler, 1825/75

Suprematism

Suprematism, 1915

Kasimir Malevich

A work made of oil on canvas.

Maxwell Street, 1940

Leonard Farb

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