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A work made of albumen print.

Russian Barrack Battery, 1855

James Robertson

A work made of linen, plain weave; ink drawing; embroidered with silk and linen in chain and running stitches; cut and drawn work embroidered with linen in buttonhole, overcast, and russian overcast stitches; with needle lace filling stitches.

Insertion from a Table Cloth, 1601/25

A work made of linen, plain weave; embroidered with silk in cross and long armed cross stitches; upper border of linen, plain weave; cut and drawn thread work; embroidered with silk in russian overcast stitches; insertion of silk, needle lace.

Pillow Cover (Incomplete), 1600-50

A work made of color photolithograph and lithograph from three stones on cream wove paper.

Darkness Mother, 1978

Robert Rauschenberg

A work made of gelatin silver print.

Kuravsky Tractor Plant, Uchastok Town, 1932/90, printed in 2003

Dmitri Baltermants

A work made of gelatin silver print.

Nettie Stub, Eleven Years Old, from Hanover, in a Polish Detention Camp, Zbaszyn, November 1938

Roman Vishniac

A work made of color lithograph on off-white wove card.

Postcard Commemorating the Russian All-Union Spartakiada, 1928

Gustav G. Klutsis

A work made of gelatin silver print, stereo.

Corpse Bearers Resting next to Dead Russians (Rast der Leichenträger bei den Toten Russen), 1914/15

Unknown

Russian-born actor Yul Brenner listening to records while on vacation, Lake Geneva, Switzerland

Russian-born actor Yul Brenner listening to records while on vacation, Lake Geneva, Switzerland, 1959

Inge Morath

A work made of lithographic postcards.

Postcards, 1912

Natalia Goncharova

A work made of periodical with designed typography and two-color photomontage wrappers.

Brigada khudozhnikov (Artists' Brigade), 1931

A work made of linen, plain weave; cut and drawn work and pulled threadwork; embroidered with linen yarn in buttonhole, hem, interlocking, loop, overcast, and russian overcast stitches, overcasr bars; embroidered with silk floss and cotton floss in crested chain variations, running and satin stitches.

Sampler, 19th century

A work made of stencil.

The Order of Ushakov, April 15, 1944

Aleksandr Timofeevich Danilichev

A work made of stencil.

The Liberators of Pskov, July 24, 1944

Aleksandr Timofeevich Danilichev

A work made of color photolithograph and lithograph from three stones on cream wove paper.

Picture Gallery, 1978

Robert Rauschenberg

A work made of color photolithograph and lithograph from three stones on cream wove paper.

Echo When, 1978

Robert Rauschenberg

The Two Mistresses (Les Deux Maitresses)

The Two Mistresses (Les Deux Maitresses), 1928

Vasili Ivanovich Shukhaev

A work made of linen, plain weave; pulled thread work; embroidered with silk floss and linen yarns, in black, double faggot, hem interlocking, loop, overcast, russian overcast, and wave stitches; embroidered with silk floss in back, cross, double running, long-armed cross, satin and stem stitches.

Sampler, 1815

A work made of linen, plain weave; drawn work embroidered with linen, silk, and gilt-metal-strip-wrapped silk in back, cross, darning, double running, hem interlocking lace, overcast, and russian overcast stitches; embroidered with silk in algerian eye, antique hem, back cross, double running, running, and satin stitches.

Sampler, 1870

A work made of gelatin silver print with drawing and watercolor.

The Long-Awaited Meeting, 1993

Valera Cherkashin

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