Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color offset lithograph on ivory wove paper.

This Must Be the Place, 1965

Roy Lichtenstein

A work made of color offset lithograph cream wove paper.

Explosion, from Portfolio 9, 1967

Roy Lichtenstein

A work made of color offset lithograph on ivory wove paper.

Art of the Sixties, 1979

Roy Lichtenstein

A work made of graphite and colored pencil on white wove paper.

Laocoön (Study), 1988

Roy Lichtenstein

A work made of collage of cut, printed and painted papers and opaque, matte and metallic paint, over graphite on white wove paper.

Laocoön (Study), 1988

Roy Lichtenstein

A work made of cotton, plain weave; copperplate printed.

Les Rois de France (The Kings of France) (Handkerchief), 1845/47

François Seraphin Delpech

A work made of glass.

Vase, 1901

Louis Comfort Tiffany

A work made of marble.

Classical Head, 1909–10

Elie Nadelman

A work made of wood-block print in black ink, with brush and pale orange wash, over stenciled yellow ink and a red ink tone block, on cream wove paper (an imitation japanese vellum).

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of lithograph in red, yellow, green, violet, pink, gold, black, gray and pale green on cream card.

Chromatic Circle, 1888

Paul Signac

The Liberation of Jerusalem, Volume II (La Gerusalemme Liberata, Tomo Secondo)

The Liberation of Jerusalem, Volume II (La Gerusalemme Liberata, Tomo Secondo), 1771

Jacques Le Roy

A work made of wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation japanese vellum).

Te atua (The God), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of spray paint on canvas.

67-F 13, 1967

Martin Barré

A work made of color etching, photo-transfer, aquatint, and electric engraving on white wove paper.

Lascaux, 1971

Barbara S. Spitz

A work made of cotton, pieced of eight strips of weft-faced, warp-ribbed plain weave and dovetailed tapestry weave with supplementary patterning wefts; main warp fringe.

Blanket (Kpokpo), 1920/29

Mende

A work made of dye imbibition print.

Strawberry Seller, Rue de Buci, Paris, France, 1967, printed 1983

Joel Meyerowitz

A work made of wood-block print in black ink, over stenciled dark-red ink and a yellow-ink tone block, on cream wove paper (an imitation japanese vellum).

Auti te pape (Women at the River), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of periodicals, 27 issues with bold two-color offset printed wrappers.

SA: Sovremennaia arkhitektura (CA: Contemporary Architecture), 1926-30

Varvara Fedorovna Stepanova

A work made of wood-block print in black ink, over stenciled red ink and a yellow ink tone block, on cream wove paper (an imitation japanese vellum).

Auti te pape (Women at the River), from the Noa Noa Suite, spring/summer 1894

Paul Gauguin

A work made of wood-block print in black ink, over a stenciled orange-ink tone block, on cream wove paper (an imitation japanese vellum).

Te atua (The God), from the Noa Noa Suite, 1894

Paul Gauguin

<<<6789 >>>