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A work made of color screenprint on cream wove paper.

Reverie, from 11 Pop Artists (vol. II), 1965

Roy Lichtenstein

A work made of color offset lithograph on ivory wove paper.

This Must Be the Place, 1965

Roy Lichtenstein

A work made of color offset lithograph cream wove paper.

Explosion, from Portfolio 9, 1967

Roy Lichtenstein

A work made of color offset lithograph on ivory wove paper.

Art of the Sixties, 1979

Roy Lichtenstein

Study for "Wall Explosion I"

Study for "Wall Explosion I", 1965

Roy Lichtenstein

A work made of graphite and colored pencil on white wove paper.

Laocoön (Study), 1988

Roy Lichtenstein

A work made of collage of cut, printed and painted papers and opaque, matte and metallic paint, over graphite on white wove paper.

Laocoön (Study), 1988

Roy Lichtenstein

A work made of lithograph in red, yellow, green, violet, pink, gold, black, gray and pale green on cream card.

Chromatic Circle, 1888

Paul Signac

A work made of spray paint on canvas.

67-F 13, 1967

Martin Barré

A work made of color etching, photo-transfer, aquatint, and electric engraving on white wove paper.

Lascaux, 1971

Barbara S. Spitz

A work made of cotton, pieced of eight strips of weft-faced, warp-ribbed plain weave and dovetailed tapestry weave with supplementary patterning wefts; main warp fringe.

Blanket (Kpokpo), 1920/29

Mende

A work made of dye imbibition print.

Strawberry Seller, Rue de Buci, Paris, France, 1967, printed 1983

Joel Meyerowitz

A work made of periodicals.

SA : Sovremennaia arkhitektura (CA: Contemporary Architecture), 1926/30

Varvara Fedorovna Stepanova

A work made of wood-block print in black ink, with brush and pale orange wash, over stenciled yellow ink and a red ink tone block, on cream wove paper (an imitation japanese vellum).

Mahna no varua ino (The Devil Speaks), from the Noa Noa Suite, 1894

Paul Gauguin

A work made of cotton, plain weave; quilted diagonally throughout; with additional three-dimensional quilting.

Bedcover, 1830/1905

Sarah Stewart

A work made of etching, aquatint, and spit bite, with gold leaf, on white wove paper.

The End of a Rainbow–Calyx–Krater, 1977

James Rosenquist

A work made of wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation japanese vellum).

Te atua (The God), from the Noa Noa Suite, 1894

Paul Gauguin

The Liberation of Jerusalem, Volume II (La Gerusalemme Liberata, Tomo Secondo)

The Liberation of Jerusalem, Volume II (La Gerusalemme Liberata, Tomo Secondo), 1771

Jacques Le Roy

A life-size sculpture of a fallen tree made of lightly hued cypress wood. The carving is laid on the ground, and takes up almost the entire space of the room.

Hinoki, 2007

Charles Ray

A book cover with two black and orange blocks arranged on an angled grid with sans-serif type on a faded white background.

Moderní architektura v československu (MSA 2 Modern architecture in Czechoslovakia), 1930

Karel Teige

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