Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Painting in short strokes of pale blue, green, white, yellow, and pink, of a fisherman in one of two small boats on a river, a tree-lined bank and a bridge in the background.

Fishing in Spring, the Pont de Clichy (Asnières), 1887

Vincent van Gogh

A work made of platinum-palladium on vellum.

Chaos, 1996

Roger Vail

A work made of platinum-palladium on vellum.

Scrambler and Moon, 1996

Roger Vail

A work made of salted paper print, plate 36 from the album "photographs taken in the crimea" (1856).

Lieutenant General Sir W.J. Codrington, K.C.B., 1855

Roger Fenton

A work made of charcoal, with stumping on off-white laid paper.

Still Life with Books, Bottle and Pitcher, c. 1912

Noël-François Roger de La Fresnaye

A work made of salted paper print, plate 15 from the album "photographs taken in the crimea" (1856).

Balaklava, from Guard's Hill, 1855

Roger Fenton

A work made of etching and drypoint on white wove paper.

Plate 20, from Dead Souls, 1923–27

Marc Chagall

A sepia-toned still from a video work. A tall African American man dressed in a trench coat, a hat, and sneakers kicks a metal bucket down a street at night. A white car passes by and streetlamps illuminate the scene.

Phat Free, 1995/99

David Hammons

A work made of salted paper print, from the album "photographic pictures of the seat of war in the crimea" (1856).

General View of Balaklava, 1855

Roger Fenton

A work made of salted paper print, plate 14 from the album "photographs taken in the crimea" (1856).

Camp of the 5th Dragoon Guards, 1855

Roger Fenton

A work made of salted paper print, plate 47 from the album "photographs taken in the crimea" (1856).

Lieutenant Colonel Shadforth and Officers of the 57th, 1855

Roger Fenton

A work made of thinly albumenized print.

Colonel Simmons, attaché to Omar Pacha, The Crimea, 1855

Roger Fenton

A work made of gelatin silver print.

Heart in Bridal Dressing Room, Carson City, Nevada, c. 1970

Roger Vail

A work made of salted paper print, plate 29 from the album "photographs taken in the crimea" (1856).

Lieutenant General Sir George Brown, G.C.B., 1855

Roger Fenton

A work made of salted paper print, plate 32 from the album "photographs taken in the crimea" (1856).

Zouaves, 1855

Roger Fenton

A work made of sixteen joined squares, most of silk, plain, satin and twill weaves, some with supplementary pile warps (velvet) and supplementary patterning and brocading wefts; some squares of cotton, plain weave with supplementary weft pile (velveteen); embroidered in silk threads in buttonhole feather, running, stem, herringbone, satin and outline stitches and couching; appliquéd; additional design in paint and human hair; border: silk, plain weave with supplementary pile warps (velvet) back: silk, satin weave; four panels joined.

'Crazy Quilt', 1880's

Hallie Rogers Judd, (Halvania)

A work made of linen, satin damask weave, embroidered with cotton, polyester, and/or silk, and human hair.

Dispersions (no. 20), 2013

Anne Wilson

Vibrantly colored painting of nude woman lying, and man standing, in lush landscape.

Earthly Paradise, 1916–20

Pierre Bonnard

A work made of etching and aquatint on ivory laid paper.

There They Go Plucked (i.e. fleeced), plate 20 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of salted paper print, plate 16 from the album "photographs taken in the crimea" (1856).

Officers of the 71st Highlanders, 1855

Roger Fenton

<<<9101112 >>>