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A work made of graphite, with brush and gray wash, on cream laid paper (left sheet); graphite, pen and black ink, and brush and reddish-gray wash, on ivory laid paper (right sheet), joined and laid down on ivory japanese paper, edge mounted on cream card.

Triumph of Death: Three Skeletons Invading a Bacchanal Orchestrated by a Magician or an Evil Demon, 1770–71

Henry Fuseli

A work made of watercolor and graphite with gouache, on ivory laid paper laid down on gray board.

Costume Design for Young Woman in Red Bonnet, for Ballet Boutique Fantasque, 1917

Léon Bakst

A work made of color lithograph on ivory wove paper.

Red Roofs (Glasco, N.Y.), n.d.

Beatrice Mandelman

A work made of red chalk, with touches of graphite, on tan laid paper.

Joy with Tranquility, after 1698

Eduardus Jacobus

A work made of red sandstone.

Yakshi, Kushan period, 2nd century

A work made of red chalk, with brush and red chalk wash (recto), and red chalk (verso), on ivory laid paper.

Sheet of Sketches: Beheading of a Saint (recto); Several Slight Figure Sketches (verso), 1605/44

Giovanni (Antonio) Bilivert

A work made of graphite, with erasing and gouache, heightened with lead white (discolored) on ivory wove paper, laid down on cream board.

Costume Design: Woman in Red Dress with Green Apron, 1925

Pedro Pruna

A work made of woodcut in black on ivory laid paper.

The Submersion of Pharaoh's Army in the Red Sea, c. 1515, printed 1549

Titian

A work made of graphite and red chalk, with watercolor, touches of charcoal, and stumping, on ivory wove paper, edge-mounted to cream wove paper.

Portrait of a Lady, n.d.

Sir Thomas Lawrence

White Justice

White Justice, 1972

Peter Saul

A work made of red chalk, with brush and brown wash and red chalk wash, on ivory laid paper, laid down on board.

Voluntary Poverty, after 1627

Domenichino

Vertical oil painting of a large pile of discarded armor, weapons, and other items in a guardhouse, including a rolled-up white, yellow, red, and blue flag and a drum. At left, a boy in light-blue clothing holds a gray coat. In the background, a group of men huddle together.

The Guardhouse, 1640/50

David Teniers the Younger

A work made of oil on canvas.

The Death of St. Peter Martyr, 1530/35

Giovanni Girolamo Savoldo

A work made of red chalk (recto) on gray-brown laid paper.

Virgin and Child (recto); Portion of Altarpiece Sketch (verso), n.d.

Flaminio Torre

A work made of transfer lithograph from three stones, in black (keystone), red, and gray inks, with scraping, on cream japanese paper.

Red House, Paimpol, 1893

James McNeill Whistler

A work made of red chalk, over traces of charcoal, ruled in pen and brown at edges, on cream laid paper.

Study of a Male Nude, n.d.

Adriaen van de Velde

A work made of red chalk offset on cream laid paper.

Woman Seen From Behind, n.d.

Aristide Joseph-Bonaventure Maillol

A work made of black and red ink on linen.

Peoples Savings Bank, Cedar Rapids, Iowa, Elevation, 1909–1911

Louis H. Sullivan

Serene red-haired woman, framed with allegorical symbols of red bird, sundial.

Beata Beatrix, 1871–72

Dante Gabriel Rossetti

A work made of pen and brown ink, with traces of red chalk (recto), and pen and brown ink (verso), on tan laid paper.

Ancient Relief with Hercules and the Mares of Diomedes (recto); Two Sketches: Draped Satyr and Winged Female Figure (verso), 1521/56

Girolamo da Carpi

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