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A work made of red chalk and black chalk, with incising, heightened with white pastel and white pastel mixed with red chalk, on cream wove japanese paper.

Mademoiselle Ellen Helleu, c. 1897

Paul-César Helleu

A work made of graphite and brush and brownish orange wash, with red chalk, on cream laid paper, laid down on ivory wove paper.

Saint Thomas, n.d.

Raphael

A work made of red chalk on oval-shaped ivory laid paper.

Allegorical Figure of Meekness or Saint Agnes, 1545/50

Follower of Fiorentino Rosso

A work made of red chalk on cream laid paper, laid down on ivory laid paper.

Virgin Mary Standing in Profile, n.d.

Franciabigio

A work made of brush and brown ink, heightened with red chalk, over graphite, on cream laid paper, laid down on cream laid paper.

Deposition of Christ, n.d.

Michelangelo Buonarroti

A work made of red chalk, with touches of graphite, on tan laid paper.

Despair, after 1698

Eduardus Jacobus

A work made of waste-block woodcut printed with oil-based ink.

Red Lotus in Autumn (Qiuri honglian), 1998

Guo You

A work made of red chalk on ivory laid paper, laid down on card.

Female Caryatid, n.d.

Perino del Vaga

A work made of brush and black ink and red watercolor, over traces of graphite, on cream wove paper.

Profile of a Woman with a Red Hat, 1900/27

Imitator of Aubrey Vincent Beardsley

A work made of red chalk, with touches of red crayon, over graphite, on ivory laid paper.

Sketches of Two Satyrs, n.d.

Jean Baptiste Carpeaux

A work made of pen and brown ink, with brush and blue wash, over traces of red chalk, on cream laid paper.

Adoration of the Host, n.d.

Luigi Garzi

A work made of cotton, plain weave; copperplate printed.

L'Hommage de l'Amérique á la France (America's Tribute to France) (Furnishing Fabric), c. 1780

Jean Baptiste Huet

A work made of color monotype on cream japanese paper.

Composition on Red Ground, c. 1945

Harry Bertoia

A work made of graphite and red pencil on cream wove paper.

Untitled, 1985–97

Richard Maris Loving

A work made of woodcut in black on ivory laid paper.

The Submersion of Pharaoh's Army in the Red Sea, c. 1515, printed 1549

Titian

A work made of pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper.

Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso), n.d.

Agostino Mitelli

A work made of color lithograph on cream wove paper.

Red Cavalry, n.d.

William Gropper

A work made of pen and brown iron gall ink, with brush and brown and gray wash, over chalk (recto), and black chalk (verso), on tan laid paper.

The Slaying of Red Comyn by Robert the Bruce, 1810–16

Henry Fuseli

A work made of color lithograph on cream wove paper.

Woman with Red Hair, n.d.

Robert Eagerton

A work made of woodcut in black on ivory laid paper.

The Submersion of Pharaoh's Army in the Red Sea, c. 1515, printed 1549

Titian

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